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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Cannot” vs. “Will Not” in Sacred Music

Jeff Ostrowski · January 26, 2014

ONALD REAGAN was known as “The Great Communicator.” I will probably be remembered as “The Lousy Communicator.” For a long time, I’ve tried to explain that we’re unable to respond to all the emails we receive. If I were to adequately reply to each message, I’d have to stop everything else I’m doing and devote hours to email correspondence. Watershed would then cease to exist, because; (1) the monthly internet fees would not get paid; (2) folks would eventually stop donating because the president is not fulfilling his duties. Therefore, the choice is rather simple, as far as I’m concerned.

Sadly, certain people still believe that our failure to reply to every email is a “choice” we make. I just received a long email (including some very “crude” language) accusing me of all kinds of nasty things for not replying to an email. This person, like several others I’ve encountered, believes that I didn’t reply “because I didn’t want to.” I’ve obviously been unsuccessful in describing the difference 1 between “will not” and “cannot.” For the record, that person also called me “a hypocrite” and “morally bankrupt.”

THIS TOPIC IS ACTUALLY RELATED to Sacred music on a local level. I truly believe that many Catholics, especially priests, desire to have prayerful, dignified, excellent music during their liturgies. This is something they truly want. They’re even willing to pay for it. The problem is, they can’t seem to locate a really good director of music. In other words, it’s impossible for them in spite of their ardent desire.

This probably seems like a fairly “harsh” reality. Well, so be it. In many ways, music is difficult. It requires talent, years of careful listening, and (more often than not) expensive training. From time to time, I’ll notice one of my friends giving a workshop on liturgical music, and I secretly cringe when the advertising implies that a few days’ study will allow the participants to go home and successfully implement a musical program.

However, I have some good news. We’ve been working hard on something special … for about three (3) years! We’re getting very close to releasing information about this project. I’m not a patient person, and resisting the temptation to “let the cat out of the bag” has been extremely difficult. Please join our mailing list so you’ll be the first to hear about this project.

I believe this project will make a tremendous and immediate difference. Granted, this release will only mark the first stage of a large project we have planned. Still, I feel it will make a huge difference and we’re extremely excited!



NOTES FROM THIS ARTICLE:

1   Our parents did a good job teaching us what “can” means. When we were children, we’d say, “Mommy, can we go out and play?” She’d invariably reply, “Oh, I’m sure you’re capable of doing that.” Then we’d have to say, “Mommy, may we go out and play?”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Resources for training in Church music Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“In older times we referred to humans as the human race, but according to this foundation we are being classed with the animals on the farm, the cow, the horse, the mule […] According to this foundation, I have no right to be born, for I am the youngest of 16 children, and God bless my mother for every one of them!”

— Archbishop Schrembs (d. 1945) vs. a foundation promoting artificial contraception

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  • “Puer Natus in Béthlehem” • (Added Fifths)
  • Epiphany Hymn • “New 2-Voice Arrangement”

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