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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

When Is The Sequence Sung? Before The Alleluia?

Jeff Ostrowski · January 2, 2014

899 Sequence O STUDENT of Gregorian chant needs to be told how sequences came into being, nor why they were always sung after the Alleluia. However, in 1969, things changed somewhat. Let’s take one thing at a time here … this subject confuses many.

So, first of all, when the (ancient) Gregorian Alleluia is sung, the Sequence comes after the Alleluia. If you don’t believe me, read the official Novus Ordo rubrics by clicking here. We provided three (3) different translations of the Ordo Cantus Missae, so there’s no doubt what it says.

However, the Ordo Cantus Missae makes no mention of the Gospel Acclamation, which can replace the (ancient) Gregorian Alleluia. For this, we have to look in the General Instruction of the Roman Missal (GIRM). When the GIRM was first published around 1970, it didn’t specify when the Sequence is sung. It merely said “Sequences are optional, except on Easter Sunday and Pentecost.” However, the postconciliar books moved the Sequence, placing it before the Gospel Acclamation. You can see this by downloading the 1975 Missale Romanum.

If you don’t comprehend Latin, just look at the following:

      * *  1-page PDF • scanned from the very first Lectionary, ©1970

By the way, notice that in the 1970s they included a prose translation in addition to the “poetic” translation which was plagiarized and then horribly mangled (see this article).

THE ODD THING IS, THERE WAS AN EFFORT at restoring the Sequence to its proper place in the most recent edition of the Roman Missal. The Institutio Generalis Missalis Romani (©2000) said in section 64:

Sequentia, quae praeter quam diebus Paschae et Pentecostes, est ad libitum, cantatur post Alleluia.

Fr. Robert Skeris, writing in Sacred Music (Vol. 128, No. 1), correctly translates this as:

The Sequence, which is optional except on Easter and Pentecost, is sung after the Alleluia.   [§64]

Again, to be clear, the GIRM is speaking of the Gospel Acclamation (not the ancient Gregorian Alleluia). You can read more here.

However, a few years later, in the official edition of the Roman Missal, this sentence was altered, and nobody knows why this change was made. Perhaps certain parties were unhappy that the Sequence would be restored to where it always had been, prior to 1969.

The end result is that the current GIRM has the Sequence before the Gospel Acclamation, whereas the 2012 Gregorian Missal continues to place the Sequence after the Alleluia … and they’re both right!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Liturgical Sequences, Novus Ordo Lectionary Reform, Ordo Cantus Missae, Roman Missal Third Edition Last Updated: October 12, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

We cannot exaggerate our indebtedness to Dr. Julian’s “Dictionary of Hymnology,” a monumental work, without which we could not have reached the high standard of accuracy, as to both texts and authorship, which we set before us when entering upon our labours.

— Committee for “New English Hymnal” (1906)

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