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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Black Vestments & Wisdom From Wives

Jeff Ostrowski · November 5, 2013

231 Requiem Click to enlarge image AM MARRIED to the most wonderful woman in the world. Cynthia has a thousand wonderful qualities and is a superb artist. However, it would be inaccurate to claim she’s as interested in (obsessed with?) the liturgy as I am. For this reason, her comments are often of much greater value.

Having attended Mass on 2 November, she asked, “Why didn’t the priest wear black vestments? Have they been forbidden?” I explained to her that, following the Second Vatican Council, black vestments aren’t usually worn because they’re considered too “spooky and scary.” Her astonishment — or was it indignation? — rang out: “Scary? That’s stupid … they just seem more respectful to me.”

I COULD NOT agree more. Black vestments have always been my favorite, ever since I was a little boy and saw my first Solemn Requiem Mass. The black vestments are often “gilded” (if that’s the right word) with gold or silver. They are powerful, impressive, and edifying. I cannot say enough to praise them. Furthermore, Cynthia is correct. They’re supremely respectful.

A few years ago, when I explained that the Novus Ordo has ancient Propers assigned to each Mass, my wife’s tone was similar as she exclaimed, “But then, why doesn’t everybody sing the texts assigned by the Church?”  Why indeed … ?

Her question is similar to one asked by students of Professor László Dobszay:

For my university students it always came as a shock to open Dom Hesbert’s Antiphonarium Missarum Sextuplex or the eleventh century Gradual of the Roman basilica of St. Cecilia, and to find there, on the same days, the same Proper chants as they read in the Liber Usualis printed in 1950. And without any coaching from me, their first question after the initial surprise was, “Then why should we sing others, instead of these?”  Why indeed …?

Dobszay’s full article is provided in a piece I wrote a while back:

      * *  “And I Will Raise You Up” — Voice Of God Songs During Mass

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Requiem, Traditional Catholic Vestments Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“The liturgy needed reform by 1965; there was no call for dismantling it. It was intended that the vernacular would enhance the Latin, not supplant it. It was not, emphatically, the mind of the Council Fathers to jettison Gregorian Chant, or to encourage the banal secularization of Church music, so as now to surpass in crudity the worst aberrations of the Howling Pentecostals.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (9 July 1971)

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