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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fr. Jeffrey Keyes Featured In Regina Magazine

Corpus Christi Watershed · October 29, 2013

ATHER JEFFREY KEYES was recently featured in Regina Magazine, a beautiful Catholic publication we’ve mentioned in the past. As usual, Regina includes beautiful images like this one.

Below is a short excerpt. Notice that Fr. Keyes mentions Fr. Lawrence Heiman, C.PP.S. (1917-2012), a well-known promoter of Gregorian chant.

ENTERED THE SEMINARY in 1971. In four years I learned how to play guitar and got a degree in Thomistic Philosophy. I left the seminary in 1976 and worked in a hot dog stand and an insurance company before re-entering another seminary in 1977.

The ’70s did horrific damage to the church and I was criticized for associating priesthood too closely to the sacraments and worship and not enough to social justice. They did not want a “musical priest.” I was also told to throw away that old Thomistic stuff.

Disgusted and hurt, I went back to selling hotdogs and making music in a liberal Catholic church on Sunday evenings. I also spent summers in the mid-West working on Graduate Degree in Liturgy and music. When I first got to that Midwest College, all my professors in music were priests, Precious Blood Priests. I am especially grateful to Fr. Bob Onofrey and Fr. Larry Heiman for encouraging me to be both musician and priest. After all, if they could do it, why could I not do it?

Fr. Heiman would become my mentor in Gregorian Chant for more than 30 years until his death at the age of 92. I joined the Precious Blood community in 1988. I was professed in 1990 and ordained to the priesthood, October 26, 1991.

You can read the full article here. Fr. Keyes is also featured in Sacred, Beautiful, & Universal, a 60-minute documentary on Sacred Music.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Reform of the Reform Last Updated: January 1, 2020

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Corpus Christi Watershed

President’s Corner

    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Father Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America on 6/10/2019 said of the Brébeuf Hymnal: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

In a meeting that took place on 23 July 2014, Pope Benedict told Father Josef Bisig, FSSP, that “Pope Saint John Paul II had the firm intention to personally bestow the episcopal consecration on an SSPX priest on 15 August 1988.”

— Libre entretien sur l’été 1988, Sedes Sapientiæ, issue 160, summer 2022

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