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Views from the Choir Loft

Fr. Jeffrey Keyes Featured In Regina Magazine

Corpus Christi Watershed · October 29, 2013

ATHER JEFFREY KEYES was recently featured in Regina Magazine, a beautiful Catholic publication we’ve mentioned in the past. As usual, Regina includes beautiful images like this one.

Below is a short excerpt. Notice that Fr. Keyes mentions Fr. Lawrence Heiman, C.PP.S. (1917-2012), a well-known promoter of Gregorian chant.

ENTERED THE SEMINARY in 1971. In four years I learned how to play guitar and got a degree in Thomistic Philosophy. I left the seminary in 1976 and worked in a hot dog stand and an insurance company before re-entering another seminary in 1977.

The ’70s did horrific damage to the church and I was criticized for associating priesthood too closely to the sacraments and worship and not enough to social justice. They did not want a “musical priest.” I was also told to throw away that old Thomistic stuff.

Disgusted and hurt, I went back to selling hotdogs and making music in a liberal Catholic church on Sunday evenings. I also spent summers in the mid-West working on Graduate Degree in Liturgy and music. When I first got to that Midwest College, all my professors in music were priests, Precious Blood Priests. I am especially grateful to Fr. Bob Onofrey and Fr. Larry Heiman for encouraging me to be both musician and priest. After all, if they could do it, why could I not do it?

Fr. Heiman would become my mentor in Gregorian Chant for more than 30 years until his death at the age of 92. I joined the Precious Blood community in 1988. I was professed in 1990 and ordained to the priesthood, October 26, 1991.

You can read the full article here. Fr. Keyes is also featured in Sacred, Beautiful, & Universal, a 60-minute documentary on Sacred Music.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Reform of the Reform Last Updated: January 1, 2020

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The chapter decides to penalize singers or instrumentalists who are tardy by a few minutes at the same rate as if they had been absent the whole hour.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (2 June 1563 )

Recent Posts

  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”
  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)

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