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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

What Do We Think Of Cell Phones At Mass?

Jeff Ostrowski · October 28, 2013

NE REASON SO MANY Catholics are flocking to the Extraordinary Form is that many (not all) Ordinary Form parishes suffer from a “lack of the sacred.” I’m not going to spend a whole lot of time explaining what I mean, since so many authors have written about this over the years, but in general I refer to a certain “informality” (inappropriate clothing, clapping at Mass, etc.) which for some reason doesn’t tend to occur at EF Masses. By the way, you will want to read what Paul VI wrote about “desacralization” of Mass. It won’t be long until people begin eating at Church, since we’ve already seen pretty much everything else one can imagine.

However, I’ve noticed a certain tendency at EF Masses which causes me concern. It has to do with a phenomenon you can see in picture above: recording Masses (especially by means of inferior cameras like cell phones) and posting them online.

ON THE ONE HAND, I can see arguments in favor of using cell phones at Mass (see image above). The desire to keep a remembrance of a beautiful occasion is fully understandable. However, isn’t it distracting to see people pulling out their iPhones? Even during the Recessional, aren’t we supposed to be praying? Presumably, we’ve just received the Sanctissimum: is it not uncouth to pull out an electronic device?

Besides, we have a duty to present the Holy Mass in the best light possible, right? Do we really want to show people Masses recorded poorly, not in focus, with only one camera angle? Again, I think we need to do whatever we can to promote the Mass, but aren’t such efforts ultimately self-defeating if not done well? The longer I live, the more I become against filming the Mass, except under very carefully chosen circumstances. After all, I think my daughter is the most beautiful little girl in the entire world, but even she can look bad if the photographer or camera is inferior.

We did include Mass pictures in the Campion Hymnal, but we spent months planning for this, so those pictures (in my opinion) are “worthy” of the Mass.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, Latin Mass Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“From six in the evening, his martyrdom had continued through the ghastly night until nine o’clock in the morning. After fifteen hours of torture rarely if ever surpassed in the bloody annals of the Iroquois, the soul of Gabriel Lalemant was freed from its charred and mutilated prison and summoned to join his comrade Jean de Brébeuf in the radiant splendor of God. March 17th, 1649, was the date; for Brébeuf it had been the sixteenth.”

— ‘Fr. John A. O’Brien, speaking of St. Gabriel Lalemant’

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