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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Word On The Pope’s Interview …

Jeff Ostrowski · October 2, 2013

During the course of one of his interviews, Pope Francis said:

HEN THERE ARE particular issues, like the liturgy according to the Vetus Ordo. I think the decision of Pope Benedict was prudent and motivated by the desire to help people who have this sensitivity. What is worrying, though, is the risk of the ideologization of the Vetus Ordo, its exploitation.

Some have admitted to being confused by the word “exploitation,” which is understandable when we consider the important role played by the Vetus Ordo in the spiritual lives of so many great saints. I have my own ideas about what Pope Francis meant in the paragraph. (He was speaking “off the cuff,” by the way.) However, I will not speculate, because I am adamantly opposed to the rampant and unrestrained bloviation by unqualified people that seems to be so much in vogue these days. I don’t wish to add to such irresponsible bloviation.

Speaking of “exploitation,” here’s a quote by Fr. Godfrey Diekmann:

E COULD CITE no papal encouragement for the view that liturgy is “the life of the Church,” the normal “school of piety,” apart from St. Pius X’s declaration that “the first and indispensable source of the true Christian spirit is active and intelligent participation in the public worship of the Church” (Motu Proprio on Sacred Music). And how we clung to that statement, cited it times without number, and tried to “exploit” it in terms of its pastoral implications!
—Martin Hellriegel and Godfrey Diekmann, “Perspectives on
American Liturgical Renewal,” Aids in Ministry (AIM), 1979


I don’t want to nitpick, but I do wonder if Diekmann got the translation right. What Pope Pius X actually said was:

ILLED AS WE ARE with a most ardent desire to see the true Christian spirit flourish in every respect and be preserved by all the faithful, We deem it necessary to provide before anything else for the sanctity and dignity of the temple, in which the faithful assemble for no other object than that of acquiring this spirit from its foremost and indispensable font, which is the active participation in the most holy mysteries and in the public and solemn prayer of the Church.   [source]

Diekmann wrote: “the first and indispensable source of the true Christian spirit is active and intelligent participation in the public worship of the Church.” Is that fully correct? For instance, where does he get the word “intelligent”? Perhaps someone can look at the original language of the Motu Proprio and clue me in … By the way, look at this 1937 advertisement for Orate Fratres.

AN OLD MAXIM OF THE CATHOLIC CHURCH says: Lex orandi, lex credendi, which means “The law of prayer is the law of belief.” Another way to think of this would be, “We pray as we believe,” or even, “We believe as we pray.”

Fr. Godfrey Diekmann was highly influential in the reforms following the Second Vatican Council. In particular, he was a major supporter of the “Hootenanny Mass.” Fr. Diekmann held many beliefs contrary to Catholic teaching. For example, he was a supporter of women’s ordination to the priesthood. Bearing in mind Lex orandi, lex credendi, what effects did these beliefs of his have on the liturgical reforms? It’s an interesting and important question.

By the way, I have to admit being disturbed after reading this story, wherein Fr. Diekmann is unable to hide his true feelings toward Pope John Paul II. I suppose it’s not all that surprising, since Pope John Paul II was firm in stating that women cannot be ordained as Catholic priests.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Father Godfrey Diekmann, Godfrey Diekmann Heretic Last Updated: June 3, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

There is a lack of that kind of organization which favors mature judgment. Move on, move on, get it out. Schemata are multiplied without ever arriving at a considered form. The system of discussion is bad … Often the schemata arrive just before the discussions. Sometimes, and in important matters, such as the new anaphoras, the schema was distributed the evening before the discussion was to take place … Father Bugnini has only one interest: press ahead and finish.

— Cardinal Antonelli (Peritus during the Second Vatican Council)

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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