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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Six Girls In High School … Sensational New CD!

Jeff Ostrowski · October 17, 2013

“I was blown away by the purity of their tone, the blend, intonation and precision of their ensemble and their command of the liturgical music. It prompted me to pass along to them a setting by St.Hildegard of Bingen which they included on their new recording. They are truly using their gifts to praise God. What a pure sound they are projecting—something that more ‘mature’ singers only dream of.” — Linn Maxwell Keller   (Hildegard Singers)


HE ASTOUNDING NEW Stella Splendens Compact Disc features unaccompanied sacred vocal music sung by six ladies in high school.

Formed at the parish of Sacred Heart of Jesus in Grand Rapids, Michigan, the Schola Sancta Caecilia has been singing for the Extraordinary Form Mass since last year. All of the members are 18 or younger, but their approach to the music is very mature. This CD features Gregorian chant, ancient hymns, medieval polyphony and three recent compositions from the Benedictines of Mary, Queen of Apostles in Kansas City. Recorded in Sacred Heart of Jesus Catholic church, the CD has a very “live” sound.

“With their purity of tone and clarity of diction, the Schola Sancta Caecilia are the Anonymous Six of the Midwest. Like the professional group, Anonymous Four, these young ladies sing Gregorian Chant and Medieval Polyphony with an expert tonal blend and a flawless intonation. They also branch out into Renaissance Polyphony and more modern pieces with equal success.”
— Kurt Poterack   (Christendom College)


THE SCHOLA HAS BEEN INSPIRED by the Benedictines of Mary, Queen of Apostles, in Kansas City, with whom the young ladies have had strong personal and family relationships. The sisters generously permitted the schola to record three of their original compositions for this CD. The Benedictines of Mary’s own best-selling CD “Angels and Saints at Ephesus” set a recent Billboard record by residing at #1 on the Classical chart for 13 weeks.

While four of the original members have moved on to college or the religious life, the schola will continue with new members this year.

A sample from “Stella Splendens” is available on YouTube. Physical CDs and downloads are available now on CDBaby.com, and will be available through iTunes and Amazon. All proceeds from the sale of the CD will go to the Sacred Heart of Jesus music program.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

If it is the explicit will of the Council that the faithful are to be able to sing the “Gloria” or the “Credo” together in Latin [which it is] then indirectly there is being expressed here the obligation of regularly celebrating Mass with Latin Gregorian chant. And not merely occasionally, but with such frequency and constancy as to make the singing of these Latin texts a genuine possession of the faithful.

— Heinrich Flatten, Apostolic Protonotary & Canon Law Professor (Bonn)

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