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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

No Salvation From Decrees (1 of 3)

Jeff Ostrowski · September 9, 2013

HOSE WHO DISAGREE with the Church’s traditional embrace of Gregorian chant often make the following claim:

“Vatican II never said Gregorian chant should have pride of place in the liturgy. This only applies to Masses celebrated in Latin.”

As my friend Andrew recently noted, this wrongheaded interpretation is beginning to gain traction. For instance, a 2007 USCCB Committee came out with a document providing “guidelines” (their word) for preparing liturgies in the United States. It is called Sing To The Lord, and §72 acknowledges that Gregorian chant should have “pride of place in liturgical services” under normal circumstances, but provides a footnote:

Musicam Sacram, no. 50a, further specifies that chant has pride of place “in sung liturgical services celebrated in Latin.”

The implication is clear . . . but is that the whole story?

NO, IT IS NOT the whole story. The Second Vatican Council ordered (Sacrosanctum Concilium, §116) that Gregorian chant be given “first place” in liturgical services under normal circumstances because it is “specially suited to the Roman liturgy.” However, a document issued by the Sacred Congregation of Rites four years later (Musicam Sacram) contains an entire section on the use of Latin, which repeats §36 of Sacrosanctum Concilium (“the use of the Latin language is to be preserved in the Latin rites”).

      * * Please take note of the following underlined words.

Toward the middle of that section on Latin, three (3) statements are made:

50. In sung liturgical services celebrated in Latin:

(a) Gregorian chant, as proper to the Roman liturgy, should be given pride of place, other things being equal. Its melodies, contained in the “typical” editions, should be used, to the extent that this is possible.

(b) “It is also desirable that an edition be prepared containing simpler melodies, for use in smaller churches.”

(c) Other musical settings, written for one or more voices, be they taken from the traditional heritage or from new works, should be held in honor, encouraged and used as the occasion demands.

In other words, taken in context, absolutely nothing in Musicam Sacram modifies or amends §116 of Sacrosanctum Concilium. In the section dealing with the use of Latin in the liturgy, this later document merely reminds us that Gregorian chant retains pride of place in these ceremonies (which is no surprise). As a matter of fact, 50a has a “deeper meaning” regarding 50b, but I can’t go into any of that right now — Susan Benofy get into some of it here.

IN CONCLUSION:

Billy claims all Americans can swim. Joseph is an American. Billy says Joseph can swim.

So … where’s the news? I never thought I’d say this, but:   NO.   BIG.   DEAL.

This article is part of a series:

Part 1   •   Part 2   •   Part 3

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Participation” in the Mass does not mean hearing our own voices. It means God hearing our voices. Only He knows who is “participating” at Mass. I believe, to compare small things with great, that I “participate” in a work of art when I study it and love it silently.

— Evelyn Waugh

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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