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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

1963 Video • Funeral of John F. Kennedy (Low Mass)

Jeff Ostrowski · September 9, 2013

“He who never sought to be internationally known is the most beloved of all in the farflung missions of the Church in Africa, Asia, Oceania, and Latin America.” — Bishop Fulton J. Sheen, speaking about Richard Cardinal Cushing   [source]

EARS AGO, I asked a priest who had been ordained in the 1950s, “What was the sloppiest Liturgy you can remember?” He answered without hesitation: “The Funeral Mass of John F. Kennedy. It was a Low Mass said by Cardinal Cushing. His Latin was atrocious.” I think that was the first time I ever heard the name of Richard Cardinal Cushing.

Archbishop of Boston from 1944 to 1970, Cushing was not an easy man to understand. For example, he seems to have been interested in missionary work and devoted to Pope Pius XII, but mishandled the subject of Mrs. Kennedy’s 1968 marriage to Aristotle Onassis. At a later time, I’d like to write more about him. A priest told me that Cardinal Cushing famously left the Second Vatican Council, claiming, “I cannot understand Latin.” When I asked a bishop about this in 2007, he replied:

That is true. The Cardinal left the Council in the First Session because he could not speak Latin; simultaneous translation was available but he could not speak it.

I haven’t been able to verify the exact quote by Cardinal Cushing. However, other comments I found support this story. For instance:

Even during the Second Vatican Council, there were communication problems among the cardinals: Cardinal Richard Cushing of Boston argued that he and others were being left out of the Latin proceedings, which, he said, were “all Greek to me.” At his request, a simultaneous translation system was put in place.   [source]

See also here, wherein Cardinal Cushing boasts about his lack of knowledge of Latin (and even appears to take the Name of the Lord in vain). Still confused, I approached another priest, who received a classics degree in the 1950s. He said, “Oh, don’t be surprised, Jeff. In those days, many priests used to pretend they didn’t know Latin. It was all the rage.” 1 I wonder if Cardinal Cushing was being honest. According to his biography, he “graduated from high school in 1913, receiving honors for Latin and Greek.” In any event, it’s a bit hard to believe a man could become a Cardinal in those days and not know Latin. Yet another priest told me (in 2007): “I should not be the least surprised that Cardinal Cushing knew very little. He did intelligently, I think, ask at Vatican II what the vernacular would be in his diocese with all the Portuguese, etc.”

WHAT DID Cardinal Cushing’s Latin sound like? It wasn’t pretty. Here’s an excerpt from the 1963 Funeral of John F. Kennedy, which was a (Requiem) Low Mass.


I believe Jacqueline Kennedy was the one who requested a Low Mass, but accounts vary. Perhaps she feared a High Mass becoming a “concert.” The Low Mass did have music, though. How can a Low Mass have music? Well, we’ve discussed that many times on this blog (for instance, here). You can see more excerpts from the funeral here.

SOME PEOPLE WILL HEAR Cardinal Cushing’s horrible Latin pronunciation and exclaim:

“See! That proves it! Priests used to mumble and mutter through the Mass before the Second Vatican Council.”

However, that simply is not the case. For example, listen to Bishop René H. Gracida, a World War II veteran just like John F. Kennedy:

      * *  Audio file • Bishop Gracida prays the 1962 Canon of the Mass

His Excellency’s pronunciation is clear, careful, and beautiful.

IN 2010, I ASKED a bunch more priests about Cardinal Cushing. At this point, you’re probably thinking, “Jeff must have been obsessed with Cardinal Cushing!” Let me explain. Fr. John A. O’Brien is a Jesuit to whom I’ve been highly devoted. He was (among other things) the biographer of the holy Jesuit Martyrs of North America (and his book about them is amazing!). But I was puzzled by this message in the front of one of Fr. O’Brien’s books:

“To Richard Cardinal Cushing, Archbishop of Boston,
Apostle of Charity, Zealous Shepherd of Souls, And inspiring leader of Christ’s Church,
This book is dedicated with the author’s esteem and affection”

Here’s one of the more interesting responses I got, from a priest who taught Latin since the 1950s:

Cardinal Cushing, to my mind, was not an evil man. He was a politician but not a theologian, and, to my knowledge, never taught anything against the magisterium or did any major crime. He was not in my style or approach, but was well loved by many people and very charitable with his own and the Church’s money.

And here’s another:

Jeff, The key to understand the apparent contradiction of Father O’Brien’s being “very holy” and “very smart” (your words) and yet still dedicating his book to Cardinal Cushing, is to be found in the last word of his dedication: “AFFECTION.” My guess is that the Cardinal played a very personal role in Father O’Brien’s journey to ordination as a priest. Father O’Brien’s sense of gratitude was probably so strong that it blinded him to the historical reality of the disaster that was the Cardinal’s reign as Archbishop of Boston. I knew the Cardinal. He was a ‘rough cut gem’ who had many endearing qualities. However, he lacked the intelligence to be a Cardinal Archbishop of a major See. He did not attend many sessions of Vatican II because he did not understand Latin which was the spoken language at the Council.



NOTES FROM THIS ARTICLE:

1   It’s reminiscent of some modern-day critics of MR3 who say, “I cannot understand these prayers: I’m too dumb.” This argument confuses me, because I understand MR3 perfectly; yet I’m no scholar, and my high school teachers can verify this fact!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Richard Cardinal Cushing Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

Recent Posts

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  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)
  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?

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