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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Holy Michael Archangel

Veronica Brandt · September 28, 2013

Jaume Huguet's St Michael The painting belongs to an altarpiece of Sts Michael and Stephen, originally in the church Santa Maria del Pi in Barcelona. Painted by Jaume Huguet (c.1415 – 1492) Not one, but two hymns that the omniscient Google didn’t know about, in honour of St Michael the Archangel.

The first, an unattributed gem from The English Catholic Hymn Book (W. Knott & Sons, Revised and augmented edition 1955)

1. Holy Michael, great Archangel,
Nerve thine arm and bare thy sword,
Lead us with thy dazzling legions,
In the battle for the Lord:
Sure defence and trusty safeguard,
Let thy mighty strength afford.

2. Not with flesh and blood we wrestle,
Not as man with man contend,
But against the powers of darkness,
Who on craft and lies depend:
Treachery and shame and violence,
All the cause of Hell befriend.

3. Through God’s threefold fair creation,
Through the earth, the sea, the sky,
Wander Satan’s loathly spirits,
Luring souls of men to die:
Cast them down, O Prince of Angels,
By the power of God most high.

4. All who pouring out their life blood,
More than conquer in the fight,
All who in th’ unequal combat,
Fall beneath the oppressor’s might:
Christ the King’s great Standard-Bearer,
Lead into the Holy Light!

Download the sheet music of this hymn set to the tune Regent Square HERE

The second, a translation of Te splendor et virtus Patris by F C Husenbeth (1796-1872):

1. The splendour of the Father’s rays,
Thee, our heart’s life, we gladly praise,
Jesus, our hymns to Thee we bring,
And ‘midst Thy prostrate Angels sing.

2. Ten thousand warriors armed on high,
Embattled angels fill the sky:
Michael the conquering chief appears,
On high the glorious cross he rears.

3. He with salvation’s sign unfurl’d,
The dragon down the abyss has hurled,
The rebels with their chief are driv’n,
Scathed by the lightning flash, from Heav’n.

4. Then faithful at the chieftain’s side
Pursue the hateful king of pride,
Till from the Lamb a heavenly crown
Rewards us with unquenched renown.

5. To God the Father glory give,
To God the Son through whom we live,
The like, O Holy Ghost, to Thee,
Which ever was, shall ever be.

Download this hymn set to the tune Old Hundredth HERE

What’s your favourite tribute to St Michael?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Sheet Music Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

And since it is becoming that holy things be administered in a holy manner, and of all things this sacrifice is the most holy, the Catholic Church, to the end that it might be worthily and reverently offered and received, instituted many centuries ago the holy canon, which is so free from error that it contains nothing that does not in the highest degree savor of a certain holiness and piety and raise up to God the minds of those who offer.

— Council of Trent (1562)

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