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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Holy Michael Archangel

Veronica Brandt · September 28, 2013

Jaume Huguet's St Michael The painting belongs to an altarpiece of Sts Michael and Stephen, originally in the church Santa Maria del Pi in Barcelona. Painted by Jaume Huguet (c.1415 – 1492) Not one, but two hymns that the omniscient Google didn’t know about, in honour of St Michael the Archangel.

The first, an unattributed gem from The English Catholic Hymn Book (W. Knott & Sons, Revised and augmented edition 1955)

1. Holy Michael, great Archangel,
Nerve thine arm and bare thy sword,
Lead us with thy dazzling legions,
In the battle for the Lord:
Sure defence and trusty safeguard,
Let thy mighty strength afford.

2. Not with flesh and blood we wrestle,
Not as man with man contend,
But against the powers of darkness,
Who on craft and lies depend:
Treachery and shame and violence,
All the cause of Hell befriend.

3. Through God’s threefold fair creation,
Through the earth, the sea, the sky,
Wander Satan’s loathly spirits,
Luring souls of men to die:
Cast them down, O Prince of Angels,
By the power of God most high.

4. All who pouring out their life blood,
More than conquer in the fight,
All who in th’ unequal combat,
Fall beneath the oppressor’s might:
Christ the King’s great Standard-Bearer,
Lead into the Holy Light!

Download the sheet music of this hymn set to the tune Regent Square HERE

The second, a translation of Te splendor et virtus Patris by F C Husenbeth (1796-1872):

1. The splendour of the Father’s rays,
Thee, our heart’s life, we gladly praise,
Jesus, our hymns to Thee we bring,
And ‘midst Thy prostrate Angels sing.

2. Ten thousand warriors armed on high,
Embattled angels fill the sky:
Michael the conquering chief appears,
On high the glorious cross he rears.

3. He with salvation’s sign unfurl’d,
The dragon down the abyss has hurled,
The rebels with their chief are driv’n,
Scathed by the lightning flash, from Heav’n.

4. Then faithful at the chieftain’s side
Pursue the hateful king of pride,
Till from the Lamb a heavenly crown
Rewards us with unquenched renown.

5. To God the Father glory give,
To God the Son through whom we live,
The like, O Holy Ghost, to Thee,
Which ever was, shall ever be.

Download this hymn set to the tune Old Hundredth HERE

What’s your favourite tribute to St Michael?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Sheet Music Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski
    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“The Church, which so long had preserved Latin consciously as a bond of unity, had quite suddenly decided to discard it as a useless encumbrance. With this rejection, and as an almost inevitable consequence, went out the window also the whole magnificent musical heritage of the Church. For when you change your language you also change your song. The Jewish exiles hanging their harps beside the waters of Babylon, so long ago, made that discovery.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (26 October 1973)

Recent Posts

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  • Fulton J. Sheen • “24-Hour Catechism”

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