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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A hymn for St Mary of the Cross

Veronica Brandt · August 17, 2013

HE WEEKEND BEFORE LAST saw the annual pilgrimage from the Maternal Heart of Mary Church to the shrine of St Mary of the Cross in North Sydney. They set off at about 12 noon aiming to arrive at the tomb of the saint for Vespers at about 5pm. There’s lots of historic sandstone, rosaries, banners, hymns and a walk across the Sydney Harbour Bridge, then the final climb up Mount St to the Memorial Chapel. God willing I’ll be there next year.

St Mary of the Cross is better known as Mary MacKillop, Australia’s first canonised saint. She founded the Sisters of St Joseph of the Sacred Heart and set up schools for poor children.

And here is the hymn. Written by Rev. Fr. Dominic Popplewell of FSSP Canberra.

THOU maiden-mother’s progeny,
O Jesu, holy Virgins’ King,
we raise our lowly hearts to thee,
another fruitful Virgin sing.

The glory of her maidenhead
devoted to her Spouse divine,
in wedlock mystical, she bred
the daughters of a noble line.

The ocean vastness braving, fared
her parents to a distant shore,
by faith and love their child prepared
to seek the pearl of hidden store.

The lambs of Christ she saw bereft
of guidance and of nourishment:
his Cross to bear, all else she left,
his Heart to please made all her bent.

His Providence was all her fund,
his Foster-father all her ward;
all other maintenance she shunned:
her spirit, all unladen, soared.

The stroke of gladness or of woe,
when it befell, could never change
her purpose, sway her to forgo
her plighted faith, true love estrange.

O blessed Mary, in the train
of that fair Bridegroom, that great Lord,
the spotless Lamb for sinners slain,
pray him for us, grace to afford.

May he from every fell design
the purchase of his pain defend,
where his device he bids to shine
amid the stars, his mercy send.

The land that owns thy mortal birth
be now the claimant of thy care,
and every clan of men on earth
the heirs of thy deserts and prayer.*

Then to the bounteous One-and-Three
whence all things are, where all things tend,
true Godhead, sovereign mastery,
be praise and glory without end.

Amen.

It is suggested to be sung to the tune Jesu corona virginum (here written out in full for easy singing).

In case 10 stanzas is a little long, here is a four verse hymn I prepared earlier.

* or “gain by thy merits and thy prayer.” as you prefer.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Sheet Music Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

In 1951 (and again in 1952 and 1955) the Sacred Congregation of Rites gave permission to the bishops of the whole world to celebrate the “Vigil of the Lord’s Resurrection” as much as possible in conformity with the ancient ceremonial: the most noticeable change was to transfer the ceremonies to the late evening of Holy Saturday. During the experimental period the text of the Missal remains unchanged, and a special “Ordo Sancti Sabbati” has been published.

— Charles Richard Anthony Cunliffe (1955)

Recent Posts

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  • “Sanctus VIII” • Organ Accompaniment
  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)
  • Gorgeous Image of Monks Singing!

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