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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A hymn for St Mary of the Cross

Veronica Brandt · August 17, 2013

HE WEEKEND BEFORE LAST saw the annual pilgrimage from the Maternal Heart of Mary Church to the shrine of St Mary of the Cross in North Sydney. They set off at about 12 noon aiming to arrive at the tomb of the saint for Vespers at about 5pm. There’s lots of historic sandstone, rosaries, banners, hymns and a walk across the Sydney Harbour Bridge, then the final climb up Mount St to the Memorial Chapel. God willing I’ll be there next year.

St Mary of the Cross is better known as Mary MacKillop, Australia’s first canonised saint. She founded the Sisters of St Joseph of the Sacred Heart and set up schools for poor children.

And here is the hymn. Written by Rev. Fr. Dominic Popplewell of FSSP Canberra.

THOU maiden-mother’s progeny,
O Jesu, holy Virgins’ King,
we raise our lowly hearts to thee,
another fruitful Virgin sing.

The glory of her maidenhead
devoted to her Spouse divine,
in wedlock mystical, she bred
the daughters of a noble line.

The ocean vastness braving, fared
her parents to a distant shore,
by faith and love their child prepared
to seek the pearl of hidden store.

The lambs of Christ she saw bereft
of guidance and of nourishment:
his Cross to bear, all else she left,
his Heart to please made all her bent.

His Providence was all her fund,
his Foster-father all her ward;
all other maintenance she shunned:
her spirit, all unladen, soared.

The stroke of gladness or of woe,
when it befell, could never change
her purpose, sway her to forgo
her plighted faith, true love estrange.

O blessed Mary, in the train
of that fair Bridegroom, that great Lord,
the spotless Lamb for sinners slain,
pray him for us, grace to afford.

May he from every fell design
the purchase of his pain defend,
where his device he bids to shine
amid the stars, his mercy send.

The land that owns thy mortal birth
be now the claimant of thy care,
and every clan of men on earth
the heirs of thy deserts and prayer.*

Then to the bounteous One-and-Three
whence all things are, where all things tend,
true Godhead, sovereign mastery,
be praise and glory without end.

Amen.

It is suggested to be sung to the tune Jesu corona virginum (here written out in full for easy singing).

In case 10 stanzas is a little long, here is a four verse hymn I prepared earlier.

* or “gain by thy merits and thy prayer.” as you prefer.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Sheet Music Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“As often as possible they gathered together the children of the village and sat them down in the cabin. Father Brébeuf would put on a surplice and biretta and chant the Our Father, which Father Daniel had translated into Huron rhymes, and the children would chant it after him. Next, he taught them the sign of the cross, the Hail Mary, the Apostles’ Creed, and the Commandments.”

— Biography of St. Jean de Brébeuf

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