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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pavane for a Dead Princess — Maurice Ravel

Jeff Ostrowski · July 16, 2013

658 North American Martyrs ACH DAY only has so much time. There are thousands of things I would like to accomplish, but I end up doing only a few, and that’s difficult to accept. One thing I’ve wanted to do for years is write about the Jesuit Martyrs of North America and help make their heroism better known. I have failed in this task. It’s very hard to find the time. As my dad would say, “Time is a premium.”

Anyway, one excerpt from the life of St. Gabriel Lalemant comes to mind. John A. O’Brien wrote that Lalemant was “grateful to his family, most particularly to his mother, for a childhood and youth of rare happiness and love.” Similar words were written about St. Charles Garnier and his family. More on this below.

GREAT MUSIC is powerful, and truly can move the emotions. Randomly, totally out of the blue, Ravel’s Pavane for a Dead Princess came to my mind. I remember hearing my brother play this piece. My brother is scheduled to be ordained a priest this coming May. He’s a truly great person and friend. His interests included conducting, piano, organ, singing, history, theology, and every form of sports you can imagine. He seemed to have every player memorized, be it tennis, basketball, football, baseball, etc.

Here’s a rendition by Shura Cherkassky, a pupil of the great Josef Hofmann, but I prefer the way Mark used to play it:

      * *  Pavane for a Dead Princess [mp3]

I cannot begin to express the emotions that are brought back when I hear this melody, and remember the sacrifices my parents made to provide for us children “a childhood and youth of rare happiness and love.” I suppose that makes me a wuss.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“For me, religious music ceased with the sixteenth century. The fresh, childlike souls of that time alone expressed their vehement, untainted fervor in music free from worldliness. Since then we have had pious musical improvisations more or less made for show. That wonderful man Johann Sebastian Bach only escaped because of his natural genius. He built harmonic edifices as a devout architect and not as an apostle.”

— Claude Debussy (1862-1918)

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