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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pavane for a Dead Princess — Maurice Ravel

Jeff Ostrowski · July 16, 2013

658 North American Martyrs ACH DAY only has so much time. There are thousands of things I would like to accomplish, but I end up doing only a few, and that’s difficult to accept. One thing I’ve wanted to do for years is write about the Jesuit Martyrs of North America and help make their heroism better known. I have failed in this task. It’s very hard to find the time. As my dad would say, “Time is a premium.”

Anyway, one excerpt from the life of St. Gabriel Lalemant comes to mind. John A. O’Brien wrote that Lalemant was “grateful to his family, most particularly to his mother, for a childhood and youth of rare happiness and love.” Similar words were written about St. Charles Garnier and his family. More on this below.

GREAT MUSIC is powerful, and truly can move the emotions. Randomly, totally out of the blue, Ravel’s Pavane for a Dead Princess came to my mind. I remember hearing my brother play this piece. My brother is scheduled to be ordained a priest this coming May. He’s a truly great person and friend. His interests included conducting, piano, organ, singing, history, theology, and every form of sports you can imagine. He seemed to have every player memorized, be it tennis, basketball, football, baseball, etc.

Here’s a rendition by Shura Cherkassky, a pupil of the great Josef Hofmann, but I prefer the way Mark used to play it:

      * *  Pavane for a Dead Princess [mp3]

I cannot begin to express the emotions that are brought back when I hear this melody, and remember the sacrifices my parents made to provide for us children “a childhood and youth of rare happiness and love.” I suppose that makes me a wuss.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    17th Sunday in Ordinary Time (Year C)
    All of the chants for 27 July 2025, which is the 17th Sunday in Ordinary Time (Year C), have been added to the feasts website, as usual under a convenient “drop down.” The COMMUNION ANTIPHON—both text and melody—are particularly beautiful and exceedingly ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski
    Errors in Latin: “17th Sund. Ordinary”
    The COMMUNION for the 17th Sunday in Ordinary Time (Year C) contains several typos in the Jogues Illuminated Missal with regard to the Latin text. That particular COMMUNION ANTIPHON is extremely ancient, and the English Adaptation is utterly gorgeous. For the record, it’s normal for books to contain typos; even books by Father Fortescue and Monsignor Knox have errors. Books by Solesmes Abbey—surely among the finest ever produced—contain many printing errors. Click here to see a few examples of typos.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The sun’s disc did not remain immobile. This was not the sparkling of a heavenly body, for it spun round on itself in a mad whirl, when suddenly a clamor was heard from all the people. The sun, whirling, seemed to loosen itself from the firmament and advance threateningly upon the earth as if to crush us with its huge fiery weight. The sensation during those moments was terrible.”

— ‘Dr. Almeida Garrett, professor of natural sciences at the University of Coimbra (1917)’

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