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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Ascent to Freedom

Richard J. Clark · July 5, 2013

LL KINDS OF MUSICIANS, (especially church musicians) complain often of a lack of freedom. Yet it seems the greatest art pours forth from adversity. I have come to believe that true freedom does not rise from the capacity to fulfill all desires. Freedom is captivity, followed by battle, followed by faith, followed by wisdom and compassion as seen through the eyes of love. Of this struggle, true liberation is born.

PDF • Free Download — Ascent to Freedom, III. If You But Trust in God to Guide You | Wer nur den lieben Gott, Tune: George Neumark, 1621-1681

This difficult understanding about the nature of freedom is the inspiration for my five-movement organ work, “Ascent to Freedom.” (Click here to preview/order the score and listen.)

As described by the “Boston Music Intelligencier”:

“… Its five movements are quite accessible, sometimes displaying a French influence. The last three movements made imaginative use of, respectively, the Lutheran chorale If You But Trust in God to Guide You, the spiritual Go Down, Moses, and the hymn How Can I Keep From Singing. There was some compelling musical illustration in the spiritual movement when tortured chromaticism and crunchy reed chords gave way suddenly to diatonic harmonies on the solo clarinet accompanied by string celeste: the effect was like a release from bondage.”
— The Boston Music Intelligencer

(Videos are from my live performance at the Cathedral of the Holy Cross in Boston, Massachusetts on the 1875 E. & G. G. Hook & Hastings, Opus 801.)

Ascent to Freedom
Video 1: I. Praeludium, II. Adagio e lamentabile
Video 2: III. Tranquillo e dolce, If You But Trust in God to Guide You
Video 3: IV. Moderato e spiccato, Go Down Moses, V. Adagio e cantabile, How Can I Keep From Singing?

Quite notably, “Ascent to Freedom” received its Russian Federation première in 2012 in the cities of Kislovodsk (Кислово́дск) and Yessentuki (Ессентуки́). It was performed by virtuoso organist Mark Husey, Director of Music and Liturgy at St. Peter’s Church in Columbia, South Carolina.

From the billboard concert poster above, “Восхождение к свободе” (“Ascent to Freedom”) is the big headline at the top above the Statue of Liberty. Organist, Mark Husey’s name in large letters is recognizable. My name reads as “Р. Кларк”! (R. Clark)

For those of us who grew up during the Cold War, a performance of an American work that celebrates freedom is something of which we could not conceive.

We must continue to work diligently for this freedom through our prayer, struggle, suffering, faith, wisdom, and through compassion. We are reminded that ultimately, this freedom comes from God alone.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 13, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“To me nothing is so consoling, so piercing, so thrilling, so overcoming, as the Mass, said as it is among us. I could attend Masses for ever, and not be tired.”

— John Henry Cardinal Newman (1848)

Recent Posts

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  • Extreme Unction
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