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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Ut Queant Laxis time soon!

Veronica Brandt · June 22, 2013

HE 24TH OF JUNE is the feast of the Nativity of St John the Baptist. It falls three months after the Annunciation and six months before Christmas. I’ve written more about the feast day over there.

The vespers hymn is very famous for being the source of solfege. Guido d’Arezzo chose the first syllables of each line to represent the pitches of a diatonic scale. They were “Ut, Re, Mi, Fa, Sol, La”. Later the Si was added (short for Sancte Ioannes) which some change to Ti, and Ut became Do to be easier to sing.

An extra detail for anyone who has faced singing in public with a sore throat:

Durandus says that the hymn was composed by Paul the Deacon on a certain Holy Saturday when, having to chant the “Exsultet” for the blessing of the paschal candle, he found himself suffering from an unwonted hoarseness. Perhaps bethinking himself of the restoration of voice to the father of the Baptist, he implored a similar help in the first stanza. Catholic Encyclopedia

The first stanza has been translated as: “That thy servants may be able to sing thy deeds of wonder with pleasant voices, remove, O holy John, the guilt of our sin-polluted lips” (The Hymns of the Breviary and Missal, Rev Matthew Britt, OSB). It reminds me of our prayer before choir practice Let my mouth be filled with thy praise, in order that I be able to sing; my lips will rejoice for as long as I sing unto thee.

And tying in with previous videos on using using Illuminare Score Editor and the Propers Tool, here is a video on using the Hymn Tool.

After that I added in the brief translation from CPDL.

Click here for the finished pdf.

And utqueant.gabc is the gabc code ready to be pasted into Illuminare Score Editor.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ut Queant Laxis Last Updated: February 24, 2021

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Partly on account of these alterations, and partly because I have been unable to ascertain the authorship of many compositions—which have come to me either in manuscript or through other collections—I have thought it right to publish the volume without appending the names of writers to their works. This, however, I confess to be a defect…”

— Benjamin Hall Kennedy (1863)

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  • Music List • (2nd Sunday of Lent)
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  • Extreme Unction
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