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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Ut Queant Laxis time soon!

Veronica Brandt · June 22, 2013

HE 24TH OF JUNE is the feast of the Nativity of St John the Baptist. It falls three months after the Annunciation and six months before Christmas. I’ve written more about the feast day over there.

The vespers hymn is very famous for being the source of solfege. Guido d’Arezzo chose the first syllables of each line to represent the pitches of a diatonic scale. They were “Ut, Re, Mi, Fa, Sol, La”. Later the Si was added (short for Sancte Ioannes) which some change to Ti, and Ut became Do to be easier to sing.

An extra detail for anyone who has faced singing in public with a sore throat:

Durandus says that the hymn was composed by Paul the Deacon on a certain Holy Saturday when, having to chant the “Exsultet” for the blessing of the paschal candle, he found himself suffering from an unwonted hoarseness. Perhaps bethinking himself of the restoration of voice to the father of the Baptist, he implored a similar help in the first stanza. Catholic Encyclopedia

The first stanza has been translated as: “That thy servants may be able to sing thy deeds of wonder with pleasant voices, remove, O holy John, the guilt of our sin-polluted lips” (The Hymns of the Breviary and Missal, Rev Matthew Britt, OSB). It reminds me of our prayer before choir practice Let my mouth be filled with thy praise, in order that I be able to sing; my lips will rejoice for as long as I sing unto thee.

And tying in with previous videos on using using Illuminare Score Editor and the Propers Tool, here is a video on using the Hymn Tool.

After that I added in the brief translation from CPDL.

Click here for the finished pdf.

And utqueant.gabc is the gabc code ready to be pasted into Illuminare Score Editor.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ut Queant Laxis Last Updated: February 24, 2021

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Unfortunately, on the one hand a deadly error in judgment placed the official leadership of this committee into the hands of a man who—though generous and brave—was not very knowledgeable: Cardinal Lercaro. He was utterly incapable of resisting the maneuvers of the mealy-mouthed scoundrel that the Neapolitan Vincentian, Bugnini, a man as bereft of culture as he was of basic honesty, soon revealed himself to be.”

— ‘Fr. Louis Bouyer, an important member of the Consilium’

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  • “Lindisfarne Gospels” • Created circa 705 A.D.
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