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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

An FYI on EP in the OF – Part 3

Andrew R. Motyka · June 12, 2013

For Part 2 of this series, please click HERE.

AST WEEK, we covered the reading and responsory during Evening Prayer. This week, we will wrap up the liturgy with the Gospel Canticle, Intercessions, and the Our Father.

The Gospel Canticle for Evening Prayer is the Magnificat, or the Canticle of Mary. This timeless text is the high point of this liturgy. Historically, this piece has been executed as a choral piece. There are countless settings of it by many composers. The magnitude in which the Magnificat outnumbers an other musical setting of the canticle shows how much more popular this particular Hour was among the general public throughout time. Simply put, the people came to pray at Vespers, and this song is the climax of that prayer.

Its format is exactly like those of the psalms: the proper antiphon is followed by the canticle itself, followed by the doxology, and rounded out by the repetition of the antiphon. It can be executed in the same way that the psalms are, but I would comment that it seems awkward in this case to interrupt this text after each verse to sing an antiphon or refrain. It is not specifically forbidden, but I would argue that it’s in bad taste. This is definitely the time to “do it up.” If you have a choir, this is a good time for them to shine. Make this the high point of the liturgy.

Following the Magnificat are the Intercessions. These are just like the petitions offered at Mass. There is typically a specific response given in the ritual, tied to the given day or feast. Other than that, it is straightforward. Consider chanting these in the same way you would at Mass.

The Lord’s Prayer follows the Intercessions. This is common prayer; let the people sing this.

The proper prayer of the day rounds out the liturgy. This is proclaimed by the priest or other leader. The final blessing is either the normal one offered by the priest, or the formula:

May the Lord bless us, protect us from all evil, and bring us to everlasting life. Amen.

if prayed in common.

I hope this series has been of some use to those of you with little experience praying the hours. This beautiful liturgy is the prayer of the whole Church, and deserves more attention in the local parishes. Let us all offer our thanks to God in prayer and song through the beauty and tradition of the Hours.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Place the missal in the hand of the faithful so that they may take part more easily and more fruitfully in the Mass; and that they faithful, united with the priest, may pray together in the very words and sentiments of the Church.”

— Ven. Pope Pius XII

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