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Views from the Choir Loft

An FYI on EP in the OF – Part 3

Andrew R. Motyka · June 12, 2013

For Part 2 of this series, please click HERE.

AST WEEK, we covered the reading and responsory during Evening Prayer. This week, we will wrap up the liturgy with the Gospel Canticle, Intercessions, and the Our Father.

The Gospel Canticle for Evening Prayer is the Magnificat, or the Canticle of Mary. This timeless text is the high point of this liturgy. Historically, this piece has been executed as a choral piece. There are countless settings of it by many composers. The magnitude in which the Magnificat outnumbers an other musical setting of the canticle shows how much more popular this particular Hour was among the general public throughout time. Simply put, the people came to pray at Vespers, and this song is the climax of that prayer.

Its format is exactly like those of the psalms: the proper antiphon is followed by the canticle itself, followed by the doxology, and rounded out by the repetition of the antiphon. It can be executed in the same way that the psalms are, but I would comment that it seems awkward in this case to interrupt this text after each verse to sing an antiphon or refrain. It is not specifically forbidden, but I would argue that it’s in bad taste. This is definitely the time to “do it up.” If you have a choir, this is a good time for them to shine. Make this the high point of the liturgy.

Following the Magnificat are the Intercessions. These are just like the petitions offered at Mass. There is typically a specific response given in the ritual, tied to the given day or feast. Other than that, it is straightforward. Consider chanting these in the same way you would at Mass.

The Lord’s Prayer follows the Intercessions. This is common prayer; let the people sing this.

The proper prayer of the day rounds out the liturgy. This is proclaimed by the priest or other leader. The final blessing is either the normal one offered by the priest, or the formula:

May the Lord bless us, protect us from all evil, and bring us to everlasting life. Amen.

if prayed in common.

I hope this series has been of some use to those of you with little experience praying the hours. This beautiful liturgy is the prayer of the whole Church, and deserves more attention in the local parishes. Let us all offer our thanks to God in prayer and song through the beauty and tradition of the Hours.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“I am of the opinion, to be sure, that the old rite should be granted much more generously to all those who desire it. It’s impossible to see what could be dangerous or unacceptable about that. A community is calling its very being into question when it suddenly declares that what until now was its holiest and highest possession is strictly forbidden and when it makes the longing for it seem downright indecent.”

— Cardinal Ratzinger, 1997

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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