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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Does music keep kids quiet at Mass?

Veronica Brandt · May 4, 2013

WAS GOING TO WRITE a more confident answer to the title of this article, until a recent Mass with the most beautiful singing and the noisiest children. It brought it home that music is not an instant fix. Dr. Peter Kwasniewski’s article last week Music as a Character-Forming Force sheds some light on the subject.

“To think that children will automatically grow up into adults who have a sense of what is and is not fitting, appropriate, noble, beautiful, is as naïve as thinking that they would behave morally or turn to God in prayer with no discipline and no religious education.”

When we teach our children to behave during Mass we are laying the foundations for good habits. There’s the positive side of teaching them the beauty of what is happening there and the negative side of what shouldn’t happen there. This takes time, patience and much repetition, but it is worthwhile!

The music of the Mass is a big help towards this positive side. Children aren’t big on abstract ideas. They have a more concrete world with lots of emotional turbulence. Music is the language of emotions. You can speak to children with the music to communicate the difference between music for dancing around and music for that difficult concept of being quiet and still. Anticipating what music they will hear at Mass and running through it at home can be a huge help. Song is much more effective when you have a go at singing it yourself – get into how it feels.

Bring liturgical music into the daily rhythm with some of the Liturgy of the Hours or Divine Office. There is so much Gregorian chant available, it can be overwhelming, but maybe starting with the Marian antiphon for the season and picking up bits slowly. Children are great with daily rituals.

Reading St. Thérèse’s Story of a Soul we find that as a very young child she did not attend Mass. Her mother would go to an early Mass and then the rest of the family to the main Mass, bringing home the pain bénit or blessed bread (a sacramental, not the Blessed Sacrament). Many of us today cannot arrange something like that, but it is a comfort to know that even saints sometimes didn’t sit still through Mass as young children.

Sometimes it might seem a parent spends all of Mass outside. As our pastor frequently points out, you don’t need a line of sight to the altar to fulfil your Sunday obligation. Taking disruptive children outside is a normal part of teaching children how to behave. It isn’t a sign of a bad child or a problem, but part of the answer.

It may feel like forever, but children do grow up. The days are long but the years are short. Today’s toddlers are tomorrow’s altar servers and choir members. Then we can look back and whisper a “Thanks be to God.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Children at Mass Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“There are no hymns, in this sense, till the fourth century; they were not admitted to the Roman office till the twelfth. No Eastern rite to this day knows this kind of hymn. Indeed, in our Roman rite we still have the archaic offices of the last days of Holy Week and of the Easter octave, which—just because they are archaic—have no hymns.”

— Adrian Fortescue (25 March 1916)

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