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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sharing sacred music online

Veronica Brandt · May 18, 2013

HIS WEEKEND I HOPE to see the final printed copies of a book for Mass that started taking shape at the beginning of 2011. From a project that was going to take six months to complete, it has been more of an adventure than anticipated, but the end is in sight!

Choosing music is fun. Wading through old hymnbooks is like searching for buried treasure. Sometimes you find things to laugh about, sometimes you find things of great beauty, sometimes you find pieces that could do with a little fixing up.

It doesn’t take long to become a hymn geek, pondering whether to go with a Caswall or a J M Neale translation of such and such, wondering if an odd word is a typo or something that has shifted meaning over time and exclaiming at odd moments about a long meter tune that would be perfect for the anonymous hymn to St Therese of Lisieux you found. That’s the fun part.

The hard work is assembling it all – lots of typing up music, lots of getting the line breaks and page breaks right, lots of checking up on sources, making sure you have the perfect version of harmony and lyrics. And each time I think to myself, I’m going to tidy up all the files and make them available to save someone else a little work.

Three weeks ago, Adam Wood started the CMAA GitHub repository. Earlier this year he published his manifesto on Open Source Sacred Music and began a lively discussion on how Jeffrey Tucker was wrong about Open Source… It is all great stuff to read and think about.

My books could not have happened without much open source software and music. I can’t make them available as they are because of the handful of hymns owned by companies like GIA, OCP and Faber Music. I’m not even sure if they could be useful outside of their extremely small niche. But part of the beauty of them is that they are unique to this area. I have Australian hymns (one of which appears slightly modified in the Campion Missal. The third verse of “Thee, O Christ, the Prince of Ages” reads “From our own dear land, Australia” over here, page 80) like “Hail Redeemer” which is out of copyright here, but requires a licence in the US.

Sharing music in different forms on the internet is not new and there are growing possibilities for those willing and able to learn to use tools like gregorio and lilypond. For sure people will still prefer ready-made books, and that is where the Campion Missal and the Vatican II Hymnbook really shine. Hopefully all this good material can keep spreading.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

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— Proverbs 8

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