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Views from the Choir Loft

Josquin’s Beautiful “Missa Pange Lingua” In Minnesota

Guest Author · May 4, 2013

The following is a guest article by Sandra Eller.

AINT BENEDICT Catholic Church in Duluth, Minnesota, will be hosting a Solemn High Mass (traditional Latin Mass), celebrated by the parish pastor, Father Eric Hastings, for the Ascension on Thursday evening at 7 p.m. The choir will be singing the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei from Missa Pange Lingua by de Prez, a beautiful Mass we have done a few times in the past, in addition to Masses by Byrd and Victoria. The Duluth Men’s Schola will be singing the Gregorian propers.

The choir, which will have about a dozen voices, is comprised of members of my parish choir at St. Ben’s and members of the Duluth Men’s Schola, a group my husband founded several years ago and which is now directed by Kevin Pilon, who will also conduct the polyphony Thursday evening.


It will be our third Solemn High Mass, the first with both deacon and subdeacon from our diocese. It’s sort of the latest stage in an ongoing exploration of what’s possible in liturgy and particularly liturgical music in continuity with tradition, accompanied by a lot of catechesis from Father Hastings. Musically, things have grown from simple chants to more ornate Gregorian ordinaries and Gregorian propers and finally polyphony. We have also included new compositions inspired by the Church’s sacred music tradition, such as pieces by Kevin Allen and various projects of setting English translations of the propers to plainchant, something we use routinely. After the new translation of the Mass, the parish moved to the Adoremus hymnal, as well. The congregation is now fairly comfortable with singing the Gloria in Latin and a few other more ornate chant ordinaries.

The extraordinary form plays a relatively small role in parish life, celebrated Sunday afternoons twice a month and sometimes on special occasions like this one, ranging from low Masses to the full blown Solemn High Mass. Two of our regular weekend Masses, Father celebrates ad orientem.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt

Random Quote

[Speaking of those who wish to eliminate Latin from the liturgy.] “One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past; one may well wonder why these things have been fostered.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
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