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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Josquin’s Beautiful “Missa Pange Lingua” In Minnesota

Guest Author · May 4, 2013

The following is a guest article by Sandra Eller.

AINT BENEDICT Catholic Church in Duluth, Minnesota, will be hosting a Solemn High Mass (traditional Latin Mass), celebrated by the parish pastor, Father Eric Hastings, for the Ascension on Thursday evening at 7 p.m. The choir will be singing the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei from Missa Pange Lingua by de Prez, a beautiful Mass we have done a few times in the past, in addition to Masses by Byrd and Victoria. The Duluth Men’s Schola will be singing the Gregorian propers.

The choir, which will have about a dozen voices, is comprised of members of my parish choir at St. Ben’s and members of the Duluth Men’s Schola, a group my husband founded several years ago and which is now directed by Kevin Pilon, who will also conduct the polyphony Thursday evening.


It will be our third Solemn High Mass, the first with both deacon and subdeacon from our diocese. It’s sort of the latest stage in an ongoing exploration of what’s possible in liturgy and particularly liturgical music in continuity with tradition, accompanied by a lot of catechesis from Father Hastings. Musically, things have grown from simple chants to more ornate Gregorian ordinaries and Gregorian propers and finally polyphony. We have also included new compositions inspired by the Church’s sacred music tradition, such as pieces by Kevin Allen and various projects of setting English translations of the propers to plainchant, something we use routinely. After the new translation of the Mass, the parish moved to the Adoremus hymnal, as well. The congregation is now fairly comfortable with singing the Gloria in Latin and a few other more ornate chant ordinaries.

The extraordinary form plays a relatively small role in parish life, celebrated Sunday afternoons twice a month and sometimes on special occasions like this one, ranging from low Masses to the full blown Solemn High Mass. Two of our regular weekend Masses, Father celebrates ad orientem.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“…it would be a very praiseworthy thing and the correction would be so easy to make that one could accommodate the chant by gradual changes; and through this it would not lose its original form, since it is only through the binding together of many notes put under short syllables that they become long without any good purpose when it would be sufficient to give one note only.”

— Zarlino (1558) anticipating the Medicæa

Recent Posts

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  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)
  • Gorgeous Image of Monks Singing!
  • “Let the Choir Have a Voice” • Jeff Ostrowski’s Essay on Choral Music in the Catholic Mass

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