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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Do-It-Yourself Hymnal: The impossible dream

Veronica Brandt · April 20, 2013

HERE IS NO SUCH THING as a perfect hymnbook or missal.

Why would you try to make your own Missal/Hymnal for the Extraordinary Form when there’s the Campion Missal?

The quest for the perfect hymnbook has been revived lately. This time I’m aiming to have it ready for Pentecost. I have thirty days.

It started back in early 2011 when a certain priest outlined a project to make new improved Mass books. Our old books were getting on a bit and plagued with typos in the Latin. They had the order of Mass, a few devotionals peculiar to the parish, and a collection of hymns. The new books would be along similar lines, but include readings and extra music for sung Masses. They would be ready by June.

I had done Mass booklets before, and a couple of hymnbooks for pilgrimages, so had ideas about how to put it together. I use LaTeX, a document preparation system from the 80s. Infuriating as it can be, it can do a great job with cross references and indices and Gregorian chant. And it’s free.

June 2011 came and went, so I hoped to get it done by Advent. By then I had a pretty good book together, but the cost of the print run was a major obstacle.

One amazing advantage that the Vatican II and Campion Missals have is that they stick to Public Domain hymns. That really frees up what you can do with your book. You can sell it! Of course, you can sell books with copyright hymns too, but you need to negotiate licences and have set print runs and pay fairly considerable royalties to different people. Once I had negotiated licences for the handful of copyright hymns for parish use I was not keen to go back and ask for commercial licences.

So, since I could not subsidise the printing with sales, I made about thirty copies of a nearly 300 page hymnbook myself over the Christmas holidays. Another experience I was not keen to repeat. Mistakes in guillotining cannot be undone. And your average home laser printer is not made for printing book. And guillotines are very sharp.

In 2012 I was drawn into preparing sung Masses and time passed quickly. The Campion Missal came out. It was considered too expensive for our small parish community. And it didn’t have Help of Christians, Hail Queen of Heaven or Hail Redeemer.

Then Elizabeth was born.

Now the PVA glue bindings are coming apart on the homemade books. New books are way overdue. Now my evenings are spent tweaking the book and setting up brandt.id.au to accept donations.

Today I squeezed in Lead Kindly Light by Cardinal Newman.

Maybe Of the Father’s Love Begotten next…

Despite all the hassles, working with these treasures is still a joy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Participation at Mass must be “above all internal” (§15), and: “The faithful must be taught to unite themselves interiorly to what the ministers or choir sing, so that by listening to them they may raise their minds to God.”

— Musicam Sacram (5 March 1967)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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