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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Do-It-Yourself Hymnal: The impossible dream

Veronica Brandt · April 20, 2013

HERE IS NO SUCH THING as a perfect hymnbook or missal.

Why would you try to make your own Missal/Hymnal for the Extraordinary Form when there’s the Campion Missal?

The quest for the perfect hymnbook has been revived lately. This time I’m aiming to have it ready for Pentecost. I have thirty days.

It started back in early 2011 when a certain priest outlined a project to make new improved Mass books. Our old books were getting on a bit and plagued with typos in the Latin. They had the order of Mass, a few devotionals peculiar to the parish, and a collection of hymns. The new books would be along similar lines, but include readings and extra music for sung Masses. They would be ready by June.

I had done Mass booklets before, and a couple of hymnbooks for pilgrimages, so had ideas about how to put it together. I use LaTeX, a document preparation system from the 80s. Infuriating as it can be, it can do a great job with cross references and indices and Gregorian chant. And it’s free.

June 2011 came and went, so I hoped to get it done by Advent. By then I had a pretty good book together, but the cost of the print run was a major obstacle.

One amazing advantage that the Vatican II and Campion Missals have is that they stick to Public Domain hymns. That really frees up what you can do with your book. You can sell it! Of course, you can sell books with copyright hymns too, but you need to negotiate licences and have set print runs and pay fairly considerable royalties to different people. Once I had negotiated licences for the handful of copyright hymns for parish use I was not keen to go back and ask for commercial licences.

So, since I could not subsidise the printing with sales, I made about thirty copies of a nearly 300 page hymnbook myself over the Christmas holidays. Another experience I was not keen to repeat. Mistakes in guillotining cannot be undone. And your average home laser printer is not made for printing book. And guillotines are very sharp.

In 2012 I was drawn into preparing sung Masses and time passed quickly. The Campion Missal came out. It was considered too expensive for our small parish community. And it didn’t have Help of Christians, Hail Queen of Heaven or Hail Redeemer.

Then Elizabeth was born.

Now the PVA glue bindings are coming apart on the homemade books. New books are way overdue. Now my evenings are spent tweaking the book and setting up brandt.id.au to accept donations.

Today I squeezed in Lead Kindly Light by Cardinal Newman.

Maybe Of the Father’s Love Begotten next…

Despite all the hassles, working with these treasures is still a joy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

Don Fernando de las Infantas wrote to the Pope, trying to get him to stop Palestrina from corrupting all the plainsong editions: “The errors which certain musicians, in all good faith, think they have found in plainchant are not errors at all, but on the contrary contain some of the most beautiful musical passages ever written.”

— Don Fernando de las Infantas (1578 A.D.)

Recent Posts

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  • “Sacred Music Pilgrimage to Italy” with Grace Feltoe
  • Dr. Mahrt explains the ‘Spoken’ Propers
  • PDF • “Music List” (1st Sunday of Advent)
  • Kid’s Repertoire • “Jeffrey’s 3 Recommendations”

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