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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Alfredo Cardinal Ottaviani (1890-1979)

Jeff Ostrowski · April 13, 2013

ANY TIMES in the past I have talked about the following phenomenon: one notices a word or person and then within 24 hours one finds that same word or person mentioned in a completely random, surprising place. I’ve also said that I will not blog on this topic anymore, since readers are probably sick of hearing about it. That doesn’t mean I’m not tempted . . . this phenomenon happens so frequently. For instance, the self-same day I happened to research Cardinal Ottaviani, a friend of mine posted the picture in the upper right hand corner. Odd, is it not?

I feel the time is right for somebody to write a biography of Cardinal Ottaviani. Here are three (3) things I recently read about him (if I make any mistakes, I hope readers will correct me):

1. He was made a Cardinal before being consecrated a bishop, which is rarely done these days.

2. He had a triple doctorate, just like Fr. Adrian Fortescue.

3. He was blind later in life (similar to how Beethoven and Fauré were deaf later in life, but that’s another story!).

Over the course of my life, I’ve often read about Cardinal Ottaviani, but I am certainly no expert. I will mention just a few more things before I bring this blog to a close.

During the Second Vatican Council, before being famously cut off, he said:

“Are we seeking to stir up wonder, or perhaps scandal, among the Christian people, by introducing changes in so venerable a rite, that has been approved for so many centuries and is now so familiar? The rite of Holy Mass should not be treated as if it were a piece of cloth to be refashioned according to the whim of each generation.”

This sounds very much like Pope Benedict XVI, who said (speaking without a translator in an off-the-cuff interview [url]):

“We are today not another Church as 500 years ago. It is always the same the Church. What is one time holy for the Church is always holy for the Church and is not in another time an impossible thing.”

Benedict XVI also said:

“What earlier generations held as sacred, remains sacred and great for us too, and it cannot be all of a sudden entirely forbidden or even considered harmful.” — 7 July 2007 (Letter accompanying Summorum Pontificum)

Someone has written that as a young Peritus at the Council, Ratzinger acted as “one of the theological young Turks leading the charge against the status quo Ottaviani emodied . . . Ratzinger was among the behind-the-scenes plotters who ensured theat the council foiled Ottaviani on virtually every issue.” This may or may not be the case. Probably, young Ratzinger had some problems and issues with the Curia Romana. That’s ironic, because people “in the know” have told me Benedict had to resign as Pope because he no longer had the strength to fight against the out of control Curia Romana. In any event, perhaps we’ll know someday, if a true historian writes a biography of Ottaviani. Unfortunately, really good historians who actually know something are rather short in supply these days, and that’s a fact.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“The argument moves from the existence of the thing to the correctness of the thing: what is, ought to be. Or, a popular variant: if a thing is, it doesn’t make any difference whether it ought to be—the correct response is to adjust, to learn to live with the thing.”

— ‘L. Brent Bozell, Jr.’

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  • “Adeste Fideles” • Too Many Translations!

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