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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why We Must Never Fail To Sing Holy Music At Mass

Jeff Ostrowski · March 24, 2013

HOULD WE SING holy, beautiful, dignified, and inspiring sacred music at Mass? Yes, because this is the very least we can do for God. To help illustrate this, I must talk about our daughter Carmen, who just turned two. Look at what God does for children: He forms them so perfectly. Their little bodies know just how to grow from the moment they are conceived (I believe their spinal chords have a lot to do with this).

Reader’s mind: “Wait a minute . . . say what?”

Why do I mention my daughter? Please let me explain. Tonight, as I was reading her bedtime stories, she exhibited more knowledge than ever. She speaks in complete sentences, knows the name of everything, uses the various parts of speech, syntax, grammar, and verb conjugations correctly (for instance, plural vs. singular), knows things we never even taught her, and can repeat any word she hears. Friends, this is marvelous. Our Heavenly Father “programmed” all these things in such a marvelous way. My wife and I did not “create” Carmen: God did. My wife and I are not responsible for the miracle of her little body, which is perfect in every respect down to her little tiny fingernails: God is. While my wife and I are Carmen’s parents, we’re not responsible for creating her perfect parts: eyes, mind, spinal chord, stomach, ears, and so forth. God did that, and (as I have already mentioned) God designed children to slowly learn and grow in a marvelous way. It is simply overwhelming to witness: I apologize that my poor writing skills are unable to do justice to such wonders.

For this reason, we must never say, “I cannot be bothered to spend half an hour studying the music for Sunday’s Mass.” We must never say, “I refuse to spend time preparing the music for the Eucharistic Sacrifice.” We must never say, “It would be unreasonable for God to expect me to actually make an effort to prepare the music at Mass.”

After all, God has already done the hard work!

To make a long story short, when we contemplate God’s wonders, and the daily miracles He works, it becomes easier for us to realize how lazy and complacent we can be when it comes to serving Him.

UPDATE: By the way, Carmen somehow remembers the titles of books she hasn’t seen in months. Why can she pronounce these titles so clearly now, although she has not heard them pronounced in months?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“In all this mediaeval religious poetry there is much that we could not use now. Many of the hymns are quite bad, many are frigid compositions containing futile tricks, puns, misinterpreted quotations of Scripture, and twisted concepts, whose only point is their twist. But there is an amazing amount of beautiful poetry that we could still use. If we are to have vernacular hymns at all, why do we not have translations of the old ones?”

— Fr. Adrian Fortescue (d. 1923)

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