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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Young Father Ratzinger Offers Mass In Bavaria

Jeff Ostrowski · March 9, 2013

ERE ARE TWO pictures that were sent to me. I am not sure where these pictures came from. The first one is a young Fr. Ratzinger (later Pope Benedict XVI), taken on 17 August, 1952. The picture may possibly have come from this website [url], where you can download a bunch more high quality images of Fr. Ratzinger, like this one [image]. Some will remember that when we first began Views from the Choir Loft (December 2012), we used a 1951 picture of the newly ordained Fr. Ratzinger serving as Subdeacon (read more here and here). I’ll talk about the second picture in a minute.

We are grateful to have precious images like these, of such a holy and great man as Pope Benedict XVI at an early (I almost said “nascent”) stage of his priesthood. Viewing them, ideas may present themselves to the mind like, “Oh, I wish there were a billion more of these pictures.” However, that gets one thinking a little deeper. In today’s day and age, it is actually possible to video tape every moment of one’s life from birth. I know this, because I have often been tempted to do so with my children. For instance, during the last two hours, my daughter has done the most amazing, splendid, remarkably cute things imaginable. I cannot even list them all here, but I will give one example: when the water in the bath is being drained, this 2-year-old girl always says, “Bye, water!” and waves to it as it goes down the drain. These are the moments that make a parent want to, literally, record every moment of a child’s life.

And yet . . . when we start to really ponder, we realize this is not good. Too much photography is bad. It might encourage one to focus too much on “legacy.” After all, everybody knows deep down that “legacy” is worthless. What matters is whether you go to Heaven or Hell when you die. Nothing else matters. A person who dies and goes to Hell will not be thinking, for all eternity, “Well, I’m in Hell, but at least I made a name for myself when I was alive.” Nobody will be thinking that. Nobody in Hell will be saying, “I’m in Hell, but at least people are on the internet downloading my latest video.” There is no need to keep going on and on about this. It ought to be obvious to all, even though most of us go to great lengths to avoid thinking about these “four last things.”

I would, therefore, submit to the reader that we can go “overboard” on taking pictures and videos of our lives. Besides, too many pictures might remind us of the bad as well as the good. For instance, the second image (below) would seem to be a 1950s picture of the Mass at a military base. I cannot help but notice that several of the men are not kneeling and appear not to care what is happening. “Seems like the more things change, the more things stay the same,” as somebody once said . . .

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

On October 14, 1968, our Holy Father, Pope Paul VI, in an address to the Roman liturgy Consilium, pointed out the abuse which wants to “remove the sacred from liturgical worship and replace the holy with the commonplace and the every-day.”

— Quoted by Roger Wagner in a 1970 article

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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