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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Spinning The Wheel” Each Week For Hymns

Jeff Ostrowski · February 25, 2013

OR YEARS I have been one of the many people trying to describe the “Spin the Wheel for Hymns” game played almost universally in our churches. For one reason or another, our efforts at explanation have not been all that successful, but let me briefly try one more time. Basically, the Church assigns special prayers to each and every Mass. Most go back at least 1500 years and have been set to some of the world’s most sublime melodies. These prayers are called the Propers. Taking advantage of a loophole in Church legislation, a very large percentage of Catholics replace all of these Propers each Sunday. They substitute hymns (or worse). The end result is that each Sunday is very much like a “Spin the Wheel” game where the music director says, over and over, “What hymns do I feel like hearing today? What hymns do I feel like playing today? What theological message do I feel ought to be proclaimed today?”

Before anybody gets angry at my tone, please realize that I, myself, often do this. It has become so common, it will be hard to fix.

Indiscriminately replacing 100% of the Propers 100% of the time may not seem like a big deal, but it actually is. It is the de facto destruction of the Roman Rite, because all of a sudden the Rite becomes . . . whatever anybody feels like each week! Everyone is free to choose as he likes. The Rite becomes nothing more than a reflection of the personal tastes and whims of each music director.

However, the following video gives me hope. I was given permission to post it on the condition that the singers and location remain anonymous. Basically, it is sung by a bunch of really young Catholics who are trying to sing the Propers each week, in a simplified English version called the “Simple English Propers.” Very few members of the group read music, and they rely heavily on the videos provided free of charge by CCW. Here’s the live recording from this Sunday’s Mass:

As far as I am concerned, this group is sounding pretty good for starting out just recently! And I think as the years go by they will get better and better. They are “praying” the Mass. They are not “replacing” the Mass. Good for them.

Some people may feel that getting away from the practice of “replacing” the Mass would be impossible. Perhaps they can be inspired by the life of Nick Vujicic. Nick was born lacking legs and arms, but has done amazing things. If you do a Google search, you will find thousands of videos about Nick, and here is one example:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 2nd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

According to the Instruction “Musicam sacram” of 5 March 1967, Article 34 §1, the polyphonic “Ordinarium Missae” can in the future still be sung suetis normis, “according to the customary norms,” i.e. by the choir. In fact, this form of the high Mass is placed in high relief compared to the other forms, among which the congregationally sung Gregorian chant Mass deserves our special attention.

— Monsignor Overath (President, “Consociatio Internationalis Musicæ Sacræ” founded by Pope Saint Paul VI

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