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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Spinning The Wheel” Each Week For Hymns

Jeff Ostrowski · February 25, 2013

OR YEARS I have been one of the many people trying to describe the “Spin the Wheel for Hymns” game played almost universally in our churches. For one reason or another, our efforts at explanation have not been all that successful, but let me briefly try one more time. Basically, the Church assigns special prayers to each and every Mass. Most go back at least 1500 years and have been set to some of the world’s most sublime melodies. These prayers are called the Propers. Taking advantage of a loophole in Church legislation, a very large percentage of Catholics replace all of these Propers each Sunday. They substitute hymns (or worse). The end result is that each Sunday is very much like a “Spin the Wheel” game where the music director says, over and over, “What hymns do I feel like hearing today? What hymns do I feel like playing today? What theological message do I feel ought to be proclaimed today?”

Before anybody gets angry at my tone, please realize that I, myself, often do this. It has become so common, it will be hard to fix.

Indiscriminately replacing 100% of the Propers 100% of the time may not seem like a big deal, but it actually is. It is the de facto destruction of the Roman Rite, because all of a sudden the Rite becomes . . . whatever anybody feels like each week! Everyone is free to choose as he likes. The Rite becomes nothing more than a reflection of the personal tastes and whims of each music director.

However, the following video gives me hope. I was given permission to post it on the condition that the singers and location remain anonymous. Basically, it is sung by a bunch of really young Catholics who are trying to sing the Propers each week, in a simplified English version called the “Simple English Propers.” Very few members of the group read music, and they rely heavily on the videos provided free of charge by CCW. Here’s the live recording from this Sunday’s Mass:

As far as I am concerned, this group is sounding pretty good for starting out just recently! And I think as the years go by they will get better and better. They are “praying” the Mass. They are not “replacing” the Mass. Good for them.

Some people may feel that getting away from the practice of “replacing” the Mass would be impossible. Perhaps they can be inspired by the life of Nick Vujicic. Nick was born lacking legs and arms, but has done amazing things. If you do a Google search, you will find thousands of videos about Nick, and here is one example:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The free space which the new order of Mass gives to creativity it must be admitted, is often excessively enlarged. The difference between the liturgy with the new liturgical books, as it is actually practiced and celebrated in various places is often much greater than the difference between the old and new liturgies when celebrated according to the rubrics of the liturgical books.”

— Cardinal Ratzinger (1998)

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