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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for January 2013

Dr. Peter Kwasniewski · January 17, 2013

In every age, the challenge is the same

A Bible passage that has always struck me very forcefully . . .

Veronica Brandt · January 16, 2013

Biography • Veronica Brandt

Veronica has published a wide variety of Catholic publications . . .

Corpus Christi Watershed · January 15, 2013

John Henry Newman Institute of Liturgical Music

The Newsletter for January 2013 and questionnaire.

Dr. Alfred Calabrese · January 15, 2013

Biography • Dr. Alfred Calabrese

Alfred holds a doctorate in choral conducting from Indiana University…

Richard J. Clark · January 14, 2013

Biography • Richard J. Clark

Richard serves as Music Director and Organist at Holy Cross Cathedral . . .

Jeff Ostrowski · January 14, 2013

Reflections On Playing The Piano At Church

Reflections on whether the piano ought be used at the Catholic Mass.

Jeff Ostrowski · January 13, 2013

The Need For Beauty In the Church

Artistic works often look “natural and easy” but their creation might have been by “blood, sweat, and tears.”

Aristotle A. Esguerra · January 12, 2013

Aristotle A. Esguerra

Aristotle has served since 2009 as music director of two churches . . .

Cynthia Ostrowski · January 12, 2013

Catholic Line Art, Black and White • Installment #02

I will be releasing hundreds of these pictures for general use by Catholics everywhere.

Wilfrid Jones · January 11, 2013

Biography • Wilfrid Jones

Wilfrid Jones went on to a choral scholarship at New College, Oxford, where he read music before completing masters degrees in theology at the University of Birmingham and in education at the University of Cambridge…

Julie Huebner · January 10, 2013

Biography • Julie Huebner

Before her official work with the Church began, she pursued a career on the operatic and musical theater stage in Milwaukee and Chicago…

Adam Raha · January 10, 2013

Biography • Adam Raha

Adam and his family live a life close to nature, allowing their children to swim in rivers, climb trees, and spend ample time on trails in the woods.

Dr. Samuel Backman · January 10, 2013

Biography • Dr. Samuel Backman

Samuel earned degrees from Saint Olaf College, Yale University, and the University of Oklahoma…

Veronica Moreno · January 10, 2013

Biography • Veronica Moreno

While at UCLA, Veronica earned an undergraduate degree in Ethnomusicology and went on to study special education at Cal State LA.

Fr. David Friel · January 10, 2013

Biography • Father David M. Friel

Father Friel was ordained to the Catholic Priesthood in May 2011 . . .

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé (d. 1986) at the conservatory. I was deeply moved by it. However, some feel the version by Duruflé isn’t suitable small choirs because it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs. Énemond Moreau studied with OSCAR DEPUYDT (d. 1925), an orphan who became one of sacred music’s most towering figures. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation of the “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add it underneath the Latin (for churches which have banned Latin).
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“However well equipped and trained a choir may be, all its good points may be obscured by an unsuitable accompaniment. In fact the organist can, in a large measure, either make or mar his choir. It must be owned, however, that the accompanist of Plainsong has to contend with many difficulties. […] The purist will still find his best enjoyment of the chant when it is sung unaccompanied, but to most a becoming accompaniment gives an added charm.”

— Benedictines of Stanbrook (1905)

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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