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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

He’s At It Again . . . And Again.

Jeff Ostrowski · December 6, 2012

N THE PAST, I have written four or five articles about the following phenomenon: “When one’s brain notices an unfamiliar word, you will see it again within 24 hours.” If I feel super ambitious, I will go and get all the links to my past articles. Here [url] is one such article.

A few days ago, a priest wrote me an E-mail that included the words “mutatis mutandis,” which is a phrase I don’t see all that often. I looked at them, made a strong mental note, and moved on. Later that same day I was reading an article in Sacred Music by Dr. Kurt Poterack with the following title: “Mutatis Mutandis.”

A few minutes ago, I was reading to my little daughter to put her to sleep. In the “Bunny Story,” the word “crocus” was mentioned. I am not very familiar with the word “crocus.” I thought to myself, “I remember about a year ago when I read this part, and soon after I saw ‘crocus’ in a completely different context.” Less than twenty minutes later I read the following in a Sherlock Holmes adventure:

“Which of you is Holmes?” asked this apparition.

“My name, sir; but you have the advantage of me,” said my companion quietly.

“I am Dr. Grimesby Roylott, of Stoke Moran.”

“Indeed, Doctor,” said Holmes blandly. “Pray take a seat.”

“I will do nothing of the kind. My stepdaughter has been here. I have traced her. What has she been saying to you?”

“It is a little cold for the time of the year,” said Holmes.

“What has she been saying to you?” screamed the old man furiously.

“But I have heard that the crocuses promise well,” continued my companion imperturbably.

“Ha! You put me off, do you?” said our new visitor, taking a step forward and shaking his hunting-crop. “I know you, you scoundrel! I have heard of you before. You are Holmes, the meddler.”

Am I the only one who thinks this phenomenon is amazing? It happens so often . . .

Just the other day I named four (4) hard drives “Saffron 01,” “Saffron 02,” “Saffron 03,” and “Saffron 04.” A few hours later, I am researching a tune name and it turns out to be . . . “Saffron Walden” !

P.S.

The picture you see is our daughter, Carmen. She taught herself to “smile for the camera” to the utter amazement of her parents.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“It is profitable for me that shame hath covered my face so I may seek consolation in Thee rather than in men.” (From the Imitation of Christ by Father Thomas à Kempis)

— Cardinal Merry del Val’s Prayer-Book

Recent Posts

  • “Puer Natus in Béthlehem” • (Added Fifths)
  • Epiphany Hymn • “New 2-Voice Arrangement”
  • How Does The Vatican “Rhythm” Actually Sound?
  • Simplified Accompaniment (Epiphany Hymn)
  • “Adeste Fideles” • Too Many Translations!

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