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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Liturgy And Our Television Age

Jeff Ostrowski · November 2, 2012

HE OTHER DAY, I conceived of a theory (conclusion?) I wish to share. It was regarding the capacity of the modern Catholic to understand Liturgy. In particular, I asked myself whether we have reached a point of our “television culture” where everything is so informal and unstructured that any notion of dignified, proper Liturgical actions at Mass are lost. Perhaps the kind reader will allow me to explain.

First of all, we never discuss politics on the CCW Blog, because talking politics is not our calling: it is not something we focus on. When it comes to politics, all we really feel called to share is that the life issues are paramount for us. In other words, we must always promote what Pope John Paul II called a “Culture of Life” and do what we can to stop the murder of the innocent. This is very important.

In spite of this, I hope the reader will permit me to mention a small bit about politics, because it is impossible for me to make my point otherwise. I happened to see a section from one of the National Conventions on YouTube, where Cardinal Timothy Dolan was giving an important closing prayer for the convention. Hopefully my memory of the event is correct (my memory is not always reliable). To put it mildly, I was appalled.

First of all, the Cardinal was introduced by the Speaker of the House, who seemed to me (without question) to be drunk. For myself, I don’t drink, so I’m not an expert in this area, but I really felt that he was severely intoxicated, which I find scandalous. Drinking to excess is a sin. Furthermore, the Cardinal was trying to start the prayer, but the lights, sound, and special effects wouldn’t let him. (* Note this point) He just stood there, patiently waiting, and looking really foolish as balloons were coming down from the ceiling. Finally, he got sick of waiting (I, frankly, would have simply walked off the stage) and started the prayer. Nobody payed attention. Eventually, some of them stopped what they were doing and paid attention. It was a mess.

Why I am relating these events? Because I feel it gives us a clue why our liturgies have reached the point they have. We no longer seem to appreciate any sense of propriety, dignity, respectful behavior, “ordered movement” if you will. (In the liturgy, things must be done in a reverent, orderly way.)

I wonder if the constant and relentless “television society” has contributed to this. Have you noticed that absolutely everything is shown on television these days? Even the most intimate and private things are shown. Bad and ugly behavior is shown. Childish actions are glorified. There are even numerous shows that are “reality shows” or take you “behind the scenes,” so you see your favorite actors doing things that make you lose respect for them. Whose idea was this? It seems to me that in the old days they had a better sense of what types of things ought to be shown . . . and how they should be presented. I have reached a point where I will not watch television in public anymore: I’m just too embarrassed for the human race. In private I will watch Brother Cadfael movies, early episodes of Andy Griffith, documentaries about famous musicians, or other well-produced things. (And, ever since we started having kids, I cannot even remember the last time I watched anything!).

When people become accustomed to seeing sick, perverse, childish, ridiculous presented on the television screen, perhaps we should not be surprised that our liturgies are not dignified and reverent. Furthermore, showing intimate and special things on television really does “cheapen” life.

I hope that Corpus Christi Watershed can always continue to “build up” the culture, and be a real force for what is true, good, holy, and beautiful.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“Many other things most justly keep me in the bosom [of the Catholic Church]. The consent of peoples and nations keeps me in the Church; so does her authority, inaugurated by miracles, nourished by hope, enlarged by love, established by age. The succession of priests keeps me, beginning from the very seat of the Apostle Peter, to whom the Lord, after His resurrection, gave it in charge to feed His sheep, down to the present episcopate.”

— Saint Augustine (Epistle against Manichaeus)

Recent Posts

  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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