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Views from the Choir Loft

The Importance Of Gestures

Jeff Ostrowski · November 2, 2012

ERY SOON, Watershed will be releasing a special pew book for the traditional Latin Mass (Extraordinary Form). We’re so excited: the book is extremely complicated and jam packed with amazing stuff, and I’m certainly not able to go into the details in a short little blog entry like this. However, one of the most singular things (to quote Sherlock Holmes) about the St. Edmund Campion Missal & Hymnal is that it pays special attention to the elaborate gestures in the traditional Latin Mass. I’m speaking here of the numerous instances where the priest bows, genuflects, kisses objects, makes the Sign of the Cross, holds his hands a certain way, etc. These gestures are fantastically ancient and truly beautiful: I’m glad our book goes to great lengths to show them.

It just so happens that these physical gestures of reverence and adoration play a huge part in Catholic worship . . . because it just so happens man is made of both body and soul. If man were soul only, physical gestures would, indeed, be unimportant. These gestures really do become wedded to the prayers in a way I never realized until I stopped attending the traditional Mass. I will speak more of this as time goes on.

As we know, the Reforms following Second Vatican Council got rid of almost all these gestures (the Council itself did not), and I have to wonder if this was a mistake. I sometimes wonder if the feeling of the time was akin to: “Modern Man does not need medieval feudal gestures like kissing and bowing and genuflecting. These are not essential to the prayer of Modern Man, who has progressed to such a level he can pray just as well without such gestures.” As time goes on, perhaps “mutual enrichment” will return some of the ancient gestures. Pope Benedict, a Peritus (special expert advisor) at the time of the Council, has called for a re√´valuation of how well the Reforms called for by the Council were realized by Pope Paul VI’s Consilium.

Now I see that I have typed too much (which usually happens) so I will have to continue my thoughts in another Blog entry.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt

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It would be contrary to the Constitution to decree or even to hint that sung celebrations, especially of the Mass, should be in Latin.

— Annibale Bugnini attacking “Sacrosanctum Concilium” (§36)

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