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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Learn A New Word, See It Within 24 Hours (5)

Jeff Ostrowski · May 7, 2012

I’ve written about this subject before, here, here, here, and here. Whenever one learns a new word or talks about an odd subject, one will see it again “out of the blue” within 24 hours. This used to happen to me once a month. Now it seems to happen all the time. It can be something relatively common (like a random Star Wars excerpt or particulars of skateboarding) that manifests itself within 24 hours, or it can be even more bizarre. Perhaps this will become more clear if I describe a recent example:

Anyone who has seen My Fair Lady remembers how the father of Eliza Doolittle talks. He has a funny way of speaking. Note carefully these famous lines of his:

“I ain’t pretendin’ to be deservin’. No, I’m undeservin’ . . . and I mean to go on being undeservin’. I like it and that’s the truth. But will you take advantage of a man’s nature? . . . Do him out of the price of his own daughter, what he’s brought up, fed and clothed by the sweat of his brow?”

Obviously, Mr. Doolittle should have said “whom he’s brought up” not “what he’s brought up.”

So, a few days ago, I started asking myself, “What would it be like if we all spoke as Eliza Doolittle’s father?” A question like this: «Are there any Germans working here?» would change to: «Are there any Germans what work here?» A statement like this: «Good things come to those who wait.» would become: «Good things come to them what wait.» A proverb like this: «There is danger for him who taketh the tiger cub, and danger also for whoso snatches a delusion from a woman.» would now read as: «There is danger for him who taketh the tiger cub, and danger also for him what snatches a delusion from a woman.» A sentence like this: «Wouldn’t you think I’m the girl … the girl who has everything?» would change to «Wouldn’t you think I’m the girl … the girl what has everything?»

Almost like clockwork, what do I come accross later that very day, while reading a little Sherlock Holmes?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Learn a new word see it within 24 hours Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 29th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 19 October 2025, which is the 29th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Franz Liszt was an eminent keyboard virtuoso but a dangerous example for the young. … As a composer he was terrible.”

— Clara Schumann

Recent Posts

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  • Fulton J. Sheen + this Sunday’s “Entrance Chant”
  • Children’s Repertoire • Three More Recommendations by Keven Smith
  • Liturgical Round (“Canon”) in C-Major

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