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Views from the Choir Loft

Marching in A Great Multitude

Fr. David Friel · November 1, 2011

I have a confession to make. Today—this Solemnity of All Saints—is my absolute favorite feast of the year. I like it better than Christmas & Easter, more than the Annunciation or the Immaculate Conception.

I love this feast because I love the saints, and we should never be forgetful of them. The saints are people—real people—who’ve gone before us and allowed the love of God to transform them. As the third Eucharistic Prayer reminds us, the saints are the folks “on whose constant intercession we rely for help.” [Starting at the end of this month, that line will say, “on whose constant intercession in Your presence we rely for unfailing help.”]

We need the prayers & example of the saints. Some days, in the Church calendar, there’s no saint to be celebrated. Other days, there’s a single saint. On some special days, there’s two, like Peter & Paul or Cosmas & Damian. Very rarely, we get to celebrate a bunch of saints on a single day, like St. Isaac Jogues and the other seven North American martyrs.

Today puts all the other feast days to shame. Today, we celebrate All Saints—every last one of them. John Neumann & Katharine Drexel & Thomas More & Maria Goretti & Augustine & Francis & Therese & Dominic & Anselm. And, not just them, but all those small people in life, from among our own families & friends, who’ve “gone before us marked with the sign of faith” and whom we quietly hope have reached their reward in heaven.

In chapter seven of the Book of Revelation, we hear the apostle John telling us about his vision of heaven. He proclaims: “I had a vision of a great multitude, which no one could count.” God wants to make us all saints, and He has the power to make it happen. Fortunately, becoming a saint isn’t so much about what we do as it is about what we allow God to do within us.

If we cooperate with His grace in our lives, some day, this will be our feast day. We will have the privilege of praying for the next generation from on high. The Lord can make us part of the “great multitude” John saw in his vision of heaven. I, for one, want to be in that number!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The Saint Jean de Brébeuf Hymnal will undoubtedly enrich liturgical life at the parish level by making accessible these ancient, noble, and theologically-rich Catholic hymns, translated into English in quite a beautiful way.”

— Rev. Fr. John Berg (Superior General, Priestly Fraternity of Saint Peter) 30-NOV-2018

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