About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), where he also did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he lives with his wife and two children.
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"Since such is the nature of man that he cannot easily without external means be raised to meditation on divine things, on that account holy Mother Church has instituted certain rites, namely that certain things be pronounced in a subdued tone (canon and words of consecration) and others in a louder tone; she has likewise made use of ceremonies such as mystical blessings, lights, incense, vestments, and many other things of this kind in accordance with apostolic teaching and tradition, whereby both the majesty of so great a sacrifice might be commended, and the minds of the faithful excited by these visible signs of religion and piety to the contemplation of the most sublime matters which are hidden in this sacrifice."
— Council of Trent (Session XXII)

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Musical Creed — Text From New Roman Missal
published 26 February 2014 by Jeff Ostrowski

AST FRIDAY I put aside a few hours to compose this musical setting of the Creed, dedicated to my brother, Deacon Mark Ostrowski. Below, I explain what I was trying to do from a compositional standpoint. Yesterday afternoon, I recorded a practice video, so you can hear it. Please pardon the bad singing (when I’m playing the organ, my mouth often gets too close to the microphone):


Before I explain why I composed this Creed, here are the files you can download:

      * *  St. Felix Creed • Congregational Printout

      * *  St. Felix Creed • Choir Score (Modern Notation)

      * *  St. Felix Creed • Choir Score (Gregorian)

      * *  St. Felix Creed • Organ Accompaniment Score

HERE’S WHAT I TRIED to accomplish in writing this piece:

1.) I wanted this setting to be interesting, so people don’t get bored after a few weeks. On the other hand, I kept the congregational sections in a low range, with somewhat simple melodies.

2.) With respect to switching between sections, the Creed is very long, so I tried to “mix it up.” If it goes back and forth in a predictable, monotonous way, people get nauseated.

3.) The congregational sections tend toward a “brighter” reciting tone, while the cantor parts hover around a “darker” reciting tone — again, to keep things interesting!

4.) I treated the cadences differently each time, rather than doing the same thing a billion times, over and over.

      * *  St. Felix Creed • Audio Practice Recording (Mp3 File)


If you appreciate this Creed setting, please consider donating $5.00 per month. Thanks!