About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), where he also did graduate work in Musicology. On 22 January 2011, the board of directors elected Mr. Ostrowski President of Corpus Christi Watershed. He lives with his wife and two children in Corpus Christi, TX.
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"Upon the road, René was always occupied with God. His words and the discourses he held were all expressive of submission to the commands of Divine Providence, and showed a willing acceptance of the death which God was sending him. He gave himself to God as a sacrifice, to be reduced to ashes by the fires of the Iroquois, which that good Father's hand would kindle. He sought the means to bless Him in all things and everywhere. Covered with wounds as he himself was, Goupil dressed the wounds of other persons, of the enemies who had received some blows in the fight as well as those of the prisoners. He opened the vein for a sick Iroquois. And he did it all with as much charity as if he had done it to persons who were his best friends."
— St. Isaac Jogues (writing in 1643)

CONTRIBUTORS / RSS / ARCHIVE / LATIN MISSAL / JOGUES HYMNAL
Musical Creed — Text From New Roman Missal
published 26 February 2014 by Jeff Ostrowski

AST FRIDAY I put aside a few hours to compose this musical setting of the Creed, dedicated to my brother, Deacon Mark Ostrowski. Below, I explain what I was trying to do from a compositional standpoint. Yesterday afternoon, I recorded a practice video, so you can hear it. Please pardon the bad singing (when I’m playing the organ, my mouth often gets too close to the microphone):


Before I explain why I composed this Creed, here are the files you can download:

      * *  St. Felix Creed • Congregational Printout

      * *  St. Felix Creed • Choir Score (Modern Notation)

      * *  St. Felix Creed • Choir Score (Gregorian)

      * *  St. Felix Creed • Organ Accompaniment Score

HERE’S WHAT I TRIED to accomplish in writing this piece:

1.) I wanted this setting to be interesting, so people don’t get bored after a few weeks. On the other hand, I kept the congregational sections in a low range, with somewhat simple melodies.

2.) With respect to switching between sections, the Creed is very long, so I tried to “mix it up.” If it goes back and forth in a predictable, monotonous way, people get nauseated.

3.) The congregational sections tend toward a “brighter” reciting tone, while the cantor parts hover around a “darker” reciting tone — again, to keep things interesting!

4.) I treated the cadences differently each time, rather than doing the same thing a billion times, over and over.

      * *  St. Felix Creed • Audio Practice Recording (Mp3 File)


If you appreciate this Creed setting, please consider donating $5.00 per month. Thanks!


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