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Views from the Choir Loft

Bishop Barron Vs. Hymn by Marty Haugen (2018)

Jeff Ostrowski · January 16, 2019

RESENTING at the “Adoremus Congress” (8 September 2018) in England, Bishop Robert Barron spoke of a hymn that’s become popular in many Catholic churches. The lyrics of this song are not based on authentic Catholic hymns, such as English translations found in the Brébeuf Hymnal: Pange Lingua, Ave Maris Stella, Sancti Venite, Ave Vivens Hostia, Christe Redemptor Omnium, Adoro Te Devote, and so forth.

Instead, these lyrics were written by a Protestant composer named Marty Haugen:

Not in the dark of buildings confining,
Not in some heaven, light-years away,
But here in this place, the new light is shining,
Now is the Kingdom, now is the day.

This heretical song has been included in major Catholic hymnals for decades; and here’s proof from the Worship Hymnal (GIA Publications). Here’s what Bishop Barron says:


Marty Haugen’s assertion about the Light “not shining in Heaven” contradicts Catholic teaching. Look at this 12th-century Catholic hymn:

    * *  PDF Download • Excerpt from the Brébeuf Hymnal (Page 746)

Did you notice the literal translation at the bottom?

85646 Marty Haugen Heresy

Oh, how beautiful is the Catholic teaching!!!

Christ is the light that consoles heaven, but is unseen by man on earth.

Of course, we do see Jesus in the Blessed Sacrament (Holy Eucharist), but we do not see His full glory. If we saw Jesus in His full glory, it would overwhelm us. The purity of God would be “too terrible for words,” as Fulton J. Sheen once said. But the Apostles got a glimpse of the true glory at the Transfiguration; and this hymn is often used for the Feast of the Transfiguration. Fr. Michael Irwin, FSSP, once told me that if we saw Jesus Christ in His full glory, we would die instantly.

Why do songs by Marty Haugen—who has never claimed to accept Church teaching—replace authentic Catholic hymns, such as the one I just quoted? I urge you to obtain a copy of the Brébeuf Hymnal and see whether you agree that the ancient Catholic hymns are worth singing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Heretical GIA Hymns Last Updated: March 24, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski
    “Truly Great Processional” • (Pipe Organ)
    I stumbled upon this live recording of a PROCESSIONAL I played on the pipe organ in 2002. It’s an excerpt from a much longer composition by Sebastian Bach. In those days, there weren’t sophisticated recording devices allowing one “fix” wrong notes. (Perhaps they existed, but we didn’t have machines like that.) So it was necessary to play the entire piece from beginning to end. If you’re a church organist, feel free to download the PDF score. I suppose it’s only a matter of time until some joker uses “artificial intelligence” to play music at church … but there’s something so satisfying about playing an organ in real life.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“In 1848, Franz Liszt attended a performance of Schumann’s 1st Piano Trio, held in his honor in the Schumanns’ home. Liszt arrived two hours late with Wagner (who hadn’t been invited), derided the piece, and spoke ill of the recently deceased Mendelssohn. This upset the Schumanns, and Robert physically assaulted Liszt.”

— Janita Hall-Swadley

Recent Posts

  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension
  • “Breathtaking Photographs” • First Mass of Father Michael Caughey, FSSP (Muskegon, MI)
  • “Truly Great Processional” • (Pipe Organ)

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