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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bishop Barron Vs. Hymn by Marty Haugen (2018)

Jeff Ostrowski · January 16, 2019

RESENTING at the “Adoremus Congress” (8 September 2018) in England, Bishop Robert Barron spoke of a hymn that’s become popular in many Catholic churches. The lyrics of this song are not based on authentic Catholic hymns, such as English translations found in the Brébeuf Hymnal: Pange Lingua, Ave Maris Stella, Sancti Venite, Ave Vivens Hostia, Christe Redemptor Omnium, Adoro Te Devote, and so forth.

Instead, these lyrics were written by a Protestant composer named Marty Haugen:

Not in the dark of buildings confining,
Not in some heaven, light-years away,
But here in this place, the new light is shining,
Now is the Kingdom, now is the day.

This heretical song has been included in major Catholic hymnals for decades; and here’s proof from the Worship Hymnal (GIA Publications). Here’s what Bishop Barron says:


Marty Haugen’s assertion about the Light “not shining in Heaven” contradicts Catholic teaching. Look at this 12th-century Catholic hymn:

    * *  PDF Download • Excerpt from the Brébeuf Hymnal (Page 746)

Did you notice the literal translation at the bottom?

85646 Marty Haugen Heresy

Oh, how beautiful is the Catholic teaching!!!

Christ is the light that consoles heaven, but is unseen by man on earth.

Of course, we do see Jesus in the Blessed Sacrament (Holy Eucharist), but we do not see His full glory. If we saw Jesus in His full glory, it would overwhelm us. The purity of God would be “too terrible for words,” as Fulton J. Sheen once said. But the Apostles got a glimpse of the true glory at the Transfiguration; and this hymn is often used for the Feast of the Transfiguration. Fr. Michael Irwin, FSSP, once told me that if we saw Jesus Christ in His full glory, we would die instantly.

Why do songs by Marty Haugen—who has never claimed to accept Church teaching—replace authentic Catholic hymns, such as the one I just quoted? I urge you to obtain a copy of the Brébeuf Hymnal and see whether you agree that the ancient Catholic hymns are worth singing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Heretical GIA Hymns Last Updated: March 24, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Of course, the new [Easter Vigil] liturgy has greatly streamlined the symbology. But the exaggerated simplification has removed elements that used to have quite a hold on the mindset of the faithful. […] Is this Easter Vigil liturgy definitive?”

— Paul VI to Virgilio Noè (10 April 1971)

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