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Views from the Choir Loft

“Source Material” • The Saint Jean de Brébeuf Hymnal

Jeff Ostrowski · October 30, 2018

HE Saint Jean de Brébeuf Hymnal does not mimic or “build upon” Protestant hymnals. From first to last, it’s a Catholic publication. We assembled a staggering number of Catholic hymnals, from which we selected only the very best material. Someday, we hope to release all of the source material we discovered. This is not to say that we took absolutely nothing of Protestant origin, and those who carefully examine the following list will spot a few Anglican publications.

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PLEASE FEEL FREE to download some of the books we came across during our research for the Brébeuf hymnal. We hope to release the complete collection someday:

1842 • ENGLISH HYMNS in METER (A. D. Wackerbarth) —74pg

1847 • CATHOLIC HYMNAL with HARMONIES (Fr. Stephan Lück) —879pg

1848 • HYMNS OF THE HEART (Matthew Bridges) —97pg

1851 • LYRA CATHOLICA (Edward Caswall) —572pg

1853 • CATHOLIC HYMNS with ILLUSTRATIONS (Cardinal Wiseman) —64pg

1854 • THE HYMNAL NOTED (J. M. Neale) —226pg

ADDITIONAL   •   Accomp.   •   Words   •   Alt. Versions

1854 • ORATORY HYMNS and TUNES (Fr. Faber) —202pg

1850s • THE HYMN of SAINT CASIMIR (Various Translations)

* 1860 • THE CATHOLIC HYMNAL (London) —192pg

1861 • SUNDAY SCHOOL BOOK (Fr. Furniss)   {Hymns begin on pg 146}

1862 • HAWAIIAN HYMNAL (Honolulu, Probably Anglican) —251pg

1863 • MEDIEVAL HYMNS and SEQUENCES (J. M. Neale) —242pg

1870 • CATHOLIC HYMNS (Servite Fathers) —92pg

1872 • THE HYMNARY (Benjamin Webb & William Cooke) —665pg

1873 • HYMNS and POEMS (Fr. Edward Caswall) —489pg

1878 • LATIN HYMNAL “Cantiones Sacræ” (Joseph Mohr) —440pg

1880 • HYMN TRANSLATIONS by D. T. Morgan (Anglican) —314pg

1884 • ANNUS SANCTUS (Orby Shipley) —478pg

1884 • THE ROMAN HYMNAL (Fr. J. B. Young) —801pg

1885 • O CHRIST HIE MERK! (Fr. Guido Maria Dreves) —180pg

1889 • MANUAL of PRAYERS (Council of Baltimore)   {Hymns begin on pg 599}

1889 • ORIGINAL TEXTS in “Hymns Ancient & Modern” —406pg

1891 • HOLY FACE HYMNAL (Sisters of Mercy)

1900 • BREVIARY HYMNS & MISSAL SEQUENCES (Bishop Bagshawe) —222pg

* 1905 • ARUNDEL HYMNS (Duke of Norfolk) —569pg (202MB)

1905 • NOTRE DAME HYMN BOOK (Birtchnell & Brown) —88pg

1905 • THE HYMNER (Anglican) —166pg

1906 • THE ENGLISH HYMNAL (Anglican) —pg917

1906 • SAINT BASIL HYMNAL (15th ed.) —428pg

1906 • CATHOLIC CHURCH HYMNAL (E. Tozer) —376pg

1907 • SUNDAY SCHOOL HYMN BOOK (Sisters of Notre Dame) —187pg

1907 • ANGLICAN HYMN BOOK (Bullock) —1,151pg

1908 • EARLY CHRISTIAN HYMNS (Judge D. J. Donahoe) —278pg

1908 • OFFICE HYMNS together with the PROPER MELODIES (Anglican) —506pg

1909 • THE CATHOLIC HYMNAL (Fr. Alfred Young) —296pg

1910 • SAINT MARK’S CATHOLIC HYMNAL (Peoria) —222pg

1911 • CROWN HYMNAL (Fr. Kavanagh) —610pg

1912 • EUCHARISTICA (Hugh Thomas Henry) —230pg

* 1912 • WESTMINSTER HYMNAL (Sir Richard R. Terry) —423pg

* 1913 • SAINT HUGH HYMN BOOK (Fr. Adrian Fortescue) —168pg

* 1913 • SONGS OF SYON HYMNAL (George Woodward) —613pg

1913 • AMERICAN CATHOLIC HYMNAL (Marist Brothers) —509pg

1913 • DE LA SALLE HYMNAL (New York) —263pg

1913 • BOOK of HYMNS (Fr. Gregory Ould & William Sewell) —572pg

1913 • Vox Angelica: A New Collection of Catholic hymns (organ edition) DUBLIN —43pg

1914 • HOSANNA CATHOLIC HYMN BOOK (Fr. Ludwig Bonvin) —285pg

1914 • COLLECTED SEQUENCES and HYMNS (J. M. Neale) —460pg

1915 • HOLY CROSS HYMNAL (Cardinal O’Connell) —52pg

1916 • PANGE LINGUA ( Alan G. McDougall) —122pg

1918 • ST. BASIL HYMNAL (“completely remodelled”) —350pg   {Very Large File}

1920 • CATHOLIC HYMNAL (Fr. John G. Hacker) —348pg

1920 • SAINT GREGORY HYMNAL (Nicola A. Montani) —512pg

1921 • STANDARD CATHOLIC HYMNAL (James A. Reilly) —171pg

1922 • HYMNS of the BREVIARY and MISSAL (Fr. Matthew Britt) —390pg

1926 • DIOCESAN HYMNAL (Joseph Schrembs, Bishop of Cleveland) —84pg

1936 • PAROCHIAL HYMNAL (Fr. Carlo Rossini) —291pg

1937 • SAINT CECILIA HYMNAL (J. Alfred Schehl) —272pg

1937 • MOUNT MARY HYMNAL (Sister Gisela) —255pg

1938 • SAINT ROSE HYMNAL (Franciscan Sisters) —222pg

* 1939 • NEW WESTMINSTER HYMNAL (Ronald Knox) —452pg

1941 • CHANT SERVICE BOOK (Achille P. Bragers) —208pg

* 1942 • LAUDATE HYMNAL and CHOIRBOOK (Hohe, Koch, Green) —270pg

1943 • HYMNS OF THE DOMINICAN BREVIARY (Aquinas Byrnes) —694pg

1945 • FATHER SELNER HYMNAL (Father John Selner) —39pg

* 1948 • DAILY HYMN BOOK (Westminster & Desclée) —360pg

1949 • Msgr. Ronald Knox “Trials of a Translator”

*  PDF Download • Pius X Hymnal (Australia)
—Edited by Father Percy Jones in 1952.

1952 • CANTATE OMNES HYMNAL — Buffalo, New York

1953 • SAINT PIUS X HYMNAL — Organist & Congregational editions

* 1954 • THE MONASTERY HYMNAL — Achille P. Bragers

* 1954 • CATHOLIC HYMMNS — Fr. John Selner

* 1955 • CHRIST THE KING HYMNAL — Rev. Aloysius Knauff

* 1955 • MEDIATOR DEI HYMNAL (J. Vincent Higginson) —114pg

1955 • HYMNS of the ROMAN LITURGY (Fr. Joseph Connelly) —285pg

1957 • PARISH HYMNAL (Sister Catherine Cecilia) —72pg

1957 • LEEDS CATHOLIC HYMNAL (Crosiers) —232pg

1959 • POPE PIUS XII MASS HYMNAL (Joseph Roff)

1964 • “Hymnal of Christian Unity” (Catholic w/ IMPRIMATUR) —113pg

1964 • Scottish: ST. ANDREW HYMNAL (Catholic) —434pg

1966 • The Book of Catholic Worship

1967 • DOMINICAN BREVIARY HYMNS —In four (4) parts

* A red star indicates the book is particularly noteworthy.

Saint Jean de Brébeuf brought the True Faith to the New World and underwent extreme suffering during his martyrdom. It was Brébeuf who said to Jogues, Garnier, and Chastellain in the summer of 1636: “Fear no difficulties; there will be none for you, since it is your whole consolation to see yourself crucified with the Son of God.” While Saint Brébeuf was working in the missions, the hymns of the Catholic Church were being completely revised by Pope Urban VIII, the same pope who granted Father Isaac Jogues special permission to offer the Holy Sacrifice of the Mass, even though his fingers had been brutally sawn off by the Iroquois.

The new Saint Jean de Brébeuf Hymnal was recently declared by the New Liturgical Movement to be “hands down, the best Catholic hymnal ever published.”

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*  Click Here to learn about the Brébeuf Hymnal
—Pew Edition, Choral Supplement, Organ Accompaniment, and more!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Jean de Brebeuf Hymnal, Roman Catholic Hymnals Last Updated: September 18, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

They were not ashamed to lay their hands on Sedulius, on Prudentius, on St. Ambrose himself. Only in one or two cases does some sense of shame seem to have stopped their nefarious work. They left “Ave maris stella,” “Jam lucis orto sidere,” and St. Thomas Aquinas’s hymns alone (they would have made pretty work of “Sacris solemniis”). In 1629 their mangled remnants were published.

— Rev’d Adrian Knottesford Fortescue (25 March 1916)

Recent Posts

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  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”

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