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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

My Trip to Canada

Andrew Leung · July 26, 2018

CTL My Trip to Canada APPOLOGIZE for haven’t been posting for a few weeks. I was on a trip to Canada with my family. We stayed in Toronto for the most part, and we also visited Montreal and Quebec City as well. I must say, after being in Asia for two years, it’s nice to see some gorgeous churches built in the European style.

I had the opportunity to attend the weekly Solemn Mass at Holy Family Parish, where the Oratorian community of Toronto is located. The Mass was very well-attended and the choir sang beautifully! The professional singers of the parish sing weekly for the Solemn Mass and the Solemn Vespers. I was told that about 40 seminarians of the community would join the Vespers during the school year and I can imagine that must be quite a powerful experience for the parishioners.

I got to chat with Dr. Aaron James, the director of music, after Mass for a little bit and he told me about the history of the church and their pipe organ. The original Holy Family Church was built in 1902 and was destroyed by a fire in 1997. It was the rebuilt in 1999 and dedicated in 2001. Their organ, originally built for a residence, was given to the newly constructed church.

Another very special church I got to visit when I was in Toronto was the Cathedral Basilica of St. Michael. The interior of the cathedral is stunningly beautiful. Right across the street from the cathedral is the St. Michael’s Choir School. Unfortunately, I didn’t get to listen to their boys’ choir. The choir school was founded in 1937 by Monsignor John Edward Ronan. Boys and young men are trained in the art of music there and they play a prominent role in the cathedral’s music program. Here is a recording of the choir from 2016, and you can find more videos on their YouTube Channel.

If you ever get a chance, try to attend a Mass at the Toronto Oratory and the St. Michael’s Cathedral Basilica! Finally, I leave you with some pictures of the churches I visited during the trip.

CTL Canadian Church 1 CTL Canadian Church 2 CTL Canadian Church 3 CTL Canadian Church 4 CTL Canadian Church 5 CTL Canadian Church 6 CTL Canadian Church 7 CTL Canadian Church 8 CTL Canadian Church 9
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

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“The cemeteries are full of people who thought they were indispensable.”

— Fr. Alan Heet, OFM

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