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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

My Trip to Canada

Andrew Leung · July 26, 2018

CTL My Trip to Canada APPOLOGIZE for haven’t been posting for a few weeks. I was on a trip to Canada with my family. We stayed in Toronto for the most part, and we also visited Montreal and Quebec City as well. I must say, after being in Asia for two years, it’s nice to see some gorgeous churches built in the European style.

I had the opportunity to attend the weekly Solemn Mass at Holy Family Parish, where the Oratorian community of Toronto is located. The Mass was very well-attended and the choir sang beautifully! The professional singers of the parish sing weekly for the Solemn Mass and the Solemn Vespers. I was told that about 40 seminarians of the community would join the Vespers during the school year and I can imagine that must be quite a powerful experience for the parishioners.

I got to chat with Dr. Aaron James, the director of music, after Mass for a little bit and he told me about the history of the church and their pipe organ. The original Holy Family Church was built in 1902 and was destroyed by a fire in 1997. It was the rebuilt in 1999 and dedicated in 2001. Their organ, originally built for a residence, was given to the newly constructed church.

Another very special church I got to visit when I was in Toronto was the Cathedral Basilica of St. Michael. The interior of the cathedral is stunningly beautiful. Right across the street from the cathedral is the St. Michael’s Choir School. Unfortunately, I didn’t get to listen to their boys’ choir. The choir school was founded in 1937 by Monsignor John Edward Ronan. Boys and young men are trained in the art of music there and they play a prominent role in the cathedral’s music program. Here is a recording of the choir from 2016, and you can find more videos on their YouTube Channel.

If you ever get a chance, try to attend a Mass at the Toronto Oratory and the St. Michael’s Cathedral Basilica! Finally, I leave you with some pictures of the churches I visited during the trip.

CTL Canadian Church 1 CTL Canadian Church 2 CTL Canadian Church 3 CTL Canadian Church 4 CTL Canadian Church 5 CTL Canadian Church 6 CTL Canadian Church 7 CTL Canadian Church 8 CTL Canadian Church 9
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

They were not ashamed to lay their hands on Sedulius, on Prudentius, on St. Ambrose himself. Only in one or two cases does some sense of shame seem to have stopped their nefarious work. They left “Ave maris stella,” “Jam lucis orto sidere,” and St. Thomas Aquinas’s hymns alone (they would have made pretty work of “Sacris solemniis”). In 1629 their mangled remnants were published.

— Rev’d Adrian Knottesford Fortescue (25 March 1916)

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