• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
  • Donate
Views from the Choir Loft

FREE • Chant Conducting Seminar

Andrew Leung · January 25, 2018

CTL Free Seminar 1 HERE WILL BE A free online seminar on chant conducting by Dr. Jennifer Donelson on January 29. This seminar is part of the “Webinar Series for Conductors of Catholic Student Choirs, Worship Leaders and Classroom Teachers, Elementary through High School” organised by the National Catholic Educational Association and American Federation Pueri Cantores.

This webminar is designed for teachers who are new to conducting chant (and even to singing it), this seminar will cover the basics of reading neumatic (square-note) notation, as well as, give an introduction to understanding the rhythm and phrasing of the chant according to the classical Solesmes method. Building on these basics, conductors will progress through a series of basic gestures and exercises, culminating in the conducting of a Kyrie by the end of the session. Handouts will be given with additional exercises and resources for developing skills further, and teaching tips for helping young singers understand conducting gestures and sing expressively will be addressed.

CTL Free Seminar 2 Conducting Gregorian Chant: Beginning Techniques
Date: Monday, January 29, 2018
Time: 04:00 PM Eastern Standard Time
Duration: 1 hour
SIGN UP NOW!

Dr. Jennifer Donelson is an associate professor and the director of sacred music at St. Joseph’s Seminary (Dunwoodie) in New York, where she also teaches sacred music courses in the St. Cecilia Academy for Pastoral Musicians. She is the Vice President & Treasurer of the Society for Catholic Liturgy, serves on the board of the CMAA, and is the managing editor of the CMAA’s journal Sacred Music.

Having studied Gregorian chant at the Catholic University of America and the Abbey of St. Peter in Solesmes, for six years Dr. Donelson served as a co-organizer of the Musica Sacra Florida Gregorian Chant Conference, and has given chant workshops in dioceses and parishes across the U.S. As a choral conductor, Dr. Donelson has directed collegiate, semi-professional, amateur, monastic, and children’s choirs.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created this music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

It is unworthy that the stone holds Him, Who encloses everything in His hand, Locked in by the forbidding rock. (“Indígnum est cujus claudúntur cuncta pugíllo | Ut tegat inclúsum rupe vetánte lapis.”)

— SALVE FESTA DIES (Eastertide)

Recent Posts

  • “Music List” • 4th Sunday of Easter (Year C)
  • Cardinal Prevost (Pope Leo XIV) “Privately Offered the TLM in His Private Chapel”
  • “Entrance Chant” • 4th Sunday of Easter
  • Reader Feedback • Mendelssohn’s “Wedding March” at a Nuptial Mass?
  • Music List • “Repertoire for Weddings”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.