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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Revealed • Sacred Music Symposium Dates!

Corpus Christi Watershed · January 15, 2018

90710 Fr Josef Bisig • FSSP • Priestly Fraternity of Saint Peter FFICIAL DATES for the 2018 Sacred Music Symposium are: JUNE 18-22. And this year, in honor of the 30th anniversary of the Fraternity of Saint Peter, we have a very special guest: Fr. Josef Bisig.

FR. JOSEF BISIG played a crucial role in 1988, when Pope John Paul II established the FSSP. Elected as Superior General twice—the maximum allowed—he has generously agreed to offer the Symposium’s final Mass (22 June 2018).

The Symposium committee will begin accepting applications soon.

Follow this blog for details. If you subscribe to the CCW mailing list, you’ll receive exclusive information.

Examine incredible testimony (scroll to bottom) from last year’s attendees.

HE Sacred Music Symposium, sponsored by FSSP.la, will once again take place on the beautiful campus of St. Therese (1100 East Alhambra Road; Alhambra, California, 91801). Learn about St. Therese Carmelite School here.

EXCERPT • Intervention of Fr. Josef Bisig
Synod of European Bishops, 8 Oct 1999

WOULD LIKE to say a word about number 69 of the lnstrumentum laboris: we cannot identify ourselves with this image that is given of the traditionalist faithful. Our experience is another one: these faithful are helped by the traditional liturgical forms in their spirituality and feel themselves more closely united to the mysteries of the Cross and of the Resurrection, celebrated in the Holy Mass. Our priests who make every effort to center their priestly life around the Holy Sacrifice of Mass, exercise undeniably considerable attraction to youths who aspire to serve the Church as future priests.

In conclusion, it would seem to me that for a pastoral of hope, our Churches in Europe cannot put aside what makes up their spiritual patrimony; the Priestly Fraternity of Saint Peter was founded in an act of hope. Far from being nostalgic, its attachment to the Latin liturgical tradition is the bearer of a humble source of continuity. Thus, the living use of the Latin liturgy will have as its effect that of not allowing the language of the Church to be reduced to the literary form of official documents, but to allow a “Cor unum” and an “anima una” of those faithful to Christ.

Historial information about the Priestly Fraternity of St. Peter: The Fraternity was founded on July 18, 1988 at the Abbey of Hauterive (Switzerland) by a dozen priests and a score of seminarians. Shortly after the Fraternity’s foundation—and following upon a request by Cardinal Ratzinger—Bishop Joseph Stimpfle of Augsburg, Germany granted the Fraternity a home in Wigratzbad, a Marian shrine in Bavaria that now lodges the Fraternity’s European seminary. In the same month of October there arrived a handful of priests and some thirty seminarians ready to start “from scratch.” As of 15 January 2018, the FSSP has 437 members, including 293 incardinated priests.


Photo credit: John Aron.


Julia Garcia contributed to this article.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The free space which the new order of Mass gives to creativity it must be admitted, is often excessively enlarged. The difference between the liturgy with the new liturgical books, as it is actually practiced and celebrated in various places is often much greater than the difference between the old and new liturgies when celebrated according to the rubrics of the liturgical books.”

— Cardinal Ratzinger (1998)

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