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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Revealed • Sacred Music Symposium Dates!

Corpus Christi Watershed · January 15, 2018

90710 Fr Josef Bisig • FSSP • Priestly Fraternity of Saint Peter FFICIAL DATES for the 2018 Sacred Music Symposium are: JUNE 18-22. And this year, in honor of the 30th anniversary of the Fraternity of Saint Peter, we have a very special guest: Fr. Josef Bisig.

FR. JOSEF BISIG played a crucial role in 1988, when Pope John Paul II established the FSSP. Elected as Superior General twice—the maximum allowed—he has generously agreed to offer the Symposium’s final Mass (22 June 2018).

The Symposium committee will begin accepting applications soon.

Follow this blog for details. If you subscribe to the CCW mailing list, you’ll receive exclusive information.

Examine incredible testimony (scroll to bottom) from last year’s attendees.

HE Sacred Music Symposium, sponsored by FSSP.la, will once again take place on the beautiful campus of St. Therese (1100 East Alhambra Road; Alhambra, California, 91801). Learn about St. Therese Carmelite School here.

EXCERPT • Intervention of Fr. Josef Bisig
Synod of European Bishops, 8 Oct 1999

WOULD LIKE to say a word about number 69 of the lnstrumentum laboris: we cannot identify ourselves with this image that is given of the traditionalist faithful. Our experience is another one: these faithful are helped by the traditional liturgical forms in their spirituality and feel themselves more closely united to the mysteries of the Cross and of the Resurrection, celebrated in the Holy Mass. Our priests who make every effort to center their priestly life around the Holy Sacrifice of Mass, exercise undeniably considerable attraction to youths who aspire to serve the Church as future priests.

In conclusion, it would seem to me that for a pastoral of hope, our Churches in Europe cannot put aside what makes up their spiritual patrimony; the Priestly Fraternity of Saint Peter was founded in an act of hope. Far from being nostalgic, its attachment to the Latin liturgical tradition is the bearer of a humble source of continuity. Thus, the living use of the Latin liturgy will have as its effect that of not allowing the language of the Church to be reduced to the literary form of official documents, but to allow a “Cor unum” and an “anima una” of those faithful to Christ.

Historial information about the Priestly Fraternity of St. Peter: The Fraternity was founded on July 18, 1988 at the Abbey of Hauterive (Switzerland) by a dozen priests and a score of seminarians. Shortly after the Fraternity’s foundation—and following upon a request by Cardinal Ratzinger—Bishop Joseph Stimpfle of Augsburg, Germany granted the Fraternity a home in Wigratzbad, a Marian shrine in Bavaria that now lodges the Fraternity’s European seminary. In the same month of October there arrived a handful of priests and some thirty seminarians ready to start “from scratch.” As of 15 January 2018, the FSSP has 437 members, including 293 incardinated priests.


Photo credit: John Aron.


Julia Garcia contributed to this article.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“During Lent…the use of musical instruments is allowed only so as to support the singing. Nevertheless, Laetare Sunday (the Fourth Sunday of Lent), Solemnities and Feasts are exceptions to this rule.”

— ‘Roman Missal, 3rd Edition (2011)’

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