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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Revealed • Sacred Music Symposium Dates!

Corpus Christi Watershed · January 15, 2018

90710 Fr Josef Bisig • FSSP • Priestly Fraternity of Saint Peter FFICIAL DATES for the 2018 Sacred Music Symposium are: JUNE 18-22. And this year, in honor of the 30th anniversary of the Fraternity of Saint Peter, we have a very special guest: Fr. Josef Bisig.

FR. JOSEF BISIG played a crucial role in 1988, when Pope John Paul II established the FSSP. Elected as Superior General twice—the maximum allowed—he has generously agreed to offer the Symposium’s final Mass (22 June 2018).

The Symposium committee will begin accepting applications soon.

Follow this blog for details. If you subscribe to the CCW mailing list, you’ll receive exclusive information.

Examine incredible testimony (scroll to bottom) from last year’s attendees.

HE Sacred Music Symposium, sponsored by FSSP.la, will once again take place on the beautiful campus of St. Therese (1100 East Alhambra Road; Alhambra, California, 91801). Learn about St. Therese Carmelite School here.

EXCERPT • Intervention of Fr. Josef Bisig
Synod of European Bishops, 8 Oct 1999

WOULD LIKE to say a word about number 69 of the lnstrumentum laboris: we cannot identify ourselves with this image that is given of the traditionalist faithful. Our experience is another one: these faithful are helped by the traditional liturgical forms in their spirituality and feel themselves more closely united to the mysteries of the Cross and of the Resurrection, celebrated in the Holy Mass. Our priests who make every effort to center their priestly life around the Holy Sacrifice of Mass, exercise undeniably considerable attraction to youths who aspire to serve the Church as future priests.

In conclusion, it would seem to me that for a pastoral of hope, our Churches in Europe cannot put aside what makes up their spiritual patrimony; the Priestly Fraternity of Saint Peter was founded in an act of hope. Far from being nostalgic, its attachment to the Latin liturgical tradition is the bearer of a humble source of continuity. Thus, the living use of the Latin liturgy will have as its effect that of not allowing the language of the Church to be reduced to the literary form of official documents, but to allow a “Cor unum” and an “anima una” of those faithful to Christ.

Historial information about the Priestly Fraternity of St. Peter: The Fraternity was founded on July 18, 1988 at the Abbey of Hauterive (Switzerland) by a dozen priests and a score of seminarians. Shortly after the Fraternity’s foundation—and following upon a request by Cardinal Ratzinger—Bishop Joseph Stimpfle of Augsburg, Germany granted the Fraternity a home in Wigratzbad, a Marian shrine in Bavaria that now lodges the Fraternity’s European seminary. In the same month of October there arrived a handful of priests and some thirty seminarians ready to start “from scratch.” As of 15 January 2018, the FSSP has 437 members, including 293 incardinated priests.


Photo credit: John Aron.


Julia Garcia contributed to this article.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Both of these appointments—of Cardinal Lercaro and Father Bugnini—to key positions on the Consilium made it possible for voices to be heard that could not be heard during the proceedings of the Council, and likewise silenced others.”

— Alfons Cardinal Stickler, Vatican II ‘peritus’

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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