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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Smoke of Satan

Andrew Leung · February 22, 2018

CTL Smoke of Satan ATELY, the quote of Pope Bl. Paul VI, “The smoke of Satan has entered the Church” keep popping into my head as the dispute over the Vatican-Communist China relationship continues to develop. The details of the “agreement” has never been fully revealed by the officials. However, based on what we know, I think the faith and salvation of many Chinese people, not just the ones in Mainland China, but also those who are living in Taiwan, Hong Kong and Macau, are at risk. I pray that the Holy Spirit will guide the Church to make the right decision and that God’s will be done.

In the meantime, I have been reflecting on “the smoke of Satan” that appears in different aspects of life, including within our liturgical life. What I am about to write might seemed very radical, but I think it is worth contemplating on personally. I am not trying to condemn anyone, but to simply reflect on the way (attitude) of our participation in the liturgy.

Bl. Paul VI was referring to the state of the Church and the confusion after the Council when he spoke of “the smoke of Satan” in 1972. Similarly, I found “the smoke” in some of the post-Vatican II liturgical practices. These practices are not necessarily products of the Council, but rather practices that people invented after the Council. For example, there are people who advocate and insist that there is no need to kneel for our Lord, whether it’s during the consecration, when we receive the precious Body and Blood of Christ, or when we pass in front of the tabernacle. Isn’t that what Satan and the fallen angels did: refuse to bow down in front of our God? Do you think that the versus populum orientation might more likely to create temptations for the priests to turn the Mass into a “self-centered show”?

Obviously, “the smoke” can also appear in other forms of temptations like the collecting of vestments or vessels for personal glory; or when we sing and play music at Mass for our own glory or pleasure. By the way, I totally agree with what Fr. Rutler said in the recent interview regarding to rock music, and I think it should never be brought into the liturgy. Basically, whenever we are not praying and are being self-centered during the Mass, “the smoke of Satan” enters the liturgy. So, let us be aware of this “smoke”, especially when we are serving in the liturgy. Let God be the center, and let Him be glorified.

Tu es Petrus by Robert Pearsall

You are Peter,
And upon this Rock I will build My Church:
and the gates of hell shall not overcome it.
And I will give you the keys to the kingdom of heaven.

HE SUCCESSORS OF ST. PETER have reminded over and over again about the importance of prayers in spiritual battles. Pope St. John Paul II said in his Regina Caeli address on April 24, 1994:

“May prayer strengthen us for the spiritual battle that the Letter to the Ephesians speaks of: ‘Be strong in the Lord and in the strength of his might’ (Ephesians 6:10). The Book of Revelation refers to this same battle, recalling before our eyes the image of St Michael the Archangel (cf. Revelation 12:7). Pope Leo XIII certainly had this picture in mind when, at the end of the last century (19th cent.), he brought in, throughout the Church, a special prayer to St Michael: ‘Saint Michael the Archangel, defend us in battle. Be our protection against the wickedness and snares of the devil…’ Although this prayer is no longer recited at the end of Mass, I ask everyone not to forget it and to recite it to obtain help in the battle against the forces of darkness and against the spirit of this world.”

On this Feast of the Chair of St. Peter, let us continue to pray for the Supreme Pontiff and the unity of the Church. Let us especially remember the faithful in China, especially those who are under persecution and are feeling abandoned.

Happy Feast Day!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Edwin Fischer was, on the concert platform, a short, leonine, resilient figure, whose every fibre seemed to vibrate with elemental musical power.”

— Daniel Barenboim (1960)

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