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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Christmas Midnight Mass • Saint Vitus Parish (LA)

Jeff Ostrowski · December 15, 2018

These musical programs are for Saint Vitus Parish, which belongs to the Archdiocese of Los Angeles. The Parish is staffed by the Priestly Fraternity of Saint Peter. Bring your family to the 10:30am High Mass every Sunday.


PROCESSIONAL   •   #805 O Come, All Ye Faithful

From the Campion Hymnal.


“Asperges” is only sung for the main Sunday Mass.


INTROIT   •   The Ladies sing this.

PDF Score (Singer)   •   Practice Audio (Singer)

Accompanied from these markings, which the organist should print using a color printer.


KYRIE ELEISON

We will sing #89425, a Kyrie by Victoria.


GLORIA IN EXCELSIS

We will sing Guerrero’s Gloria based on “Iste Sanctus” • #5612.

We also know GLORIA X; that means go HERE and find the Gloria under Mass X.


GRADUAL & ALLELUIA

We will sing #3982 (an Alleluia by Father Morales).

As always, the verses are found in our Goupil Gradual books.


CREDO IV   •   When we sing Plainsong Credo IV, we use alternatim

PDF Score (Singer)   •   Practice Audio (Singer)   •   Organist


OFFERTORY ANTIPHON

PDF Score (Singer)


OFFERTORY OTHER

“Christmas Carol” by Peter Lejeune is #87488


SANCTUS & HOSANNA

We will sing #88751, a Sanctus by Victoria.

We will also sing #88749 Benedictus by Victoria.

We are learning #87349, a SANCTUS by J.S. Bach


AGNUS DEI

We will sing AGNUS DEI after Fr. Gregorio Allegri (d. 1652) = #7554

We also know #90719 by Giovanni Gabrieli.

We also know 13th century Worcester AGNUS DEI.

AGNUS DEI (1310AD)   (score)


COMMUNION ANTIPHON   •   The Men sing this.

PDF Score (Singer)   •   Practice Audio (Singer)


COMMUNION OTHER

“O Magnum Mysterium” (Father Victoria) is #3792.


RECESSIONAL HYMN   •   #803 Hark! The Herald Angels Sing

From the Campion Hymnal.


CHOIR PRAYER (usually taken from CAMPION HYMNAL) after attendance:

A description of Fr. Charles Garnier, written in 1649:

He mortified himself night and day, always sleeping on a hard bed and carrying on his body some part of the cross, which he cherished in life and upon which he hoped to meet his death. Each time that he came back from his mission he made sure to sharpen anew the iron points of the belt which he wore next to his skin. More than that, he often used an iron discipline, also studded with sharp points. His food was the food of the Indians—that is, less than any miserable beggar in France would expect to have. During this last winter’s famine, acorns and bitter roots were his delicacies… Those in greatest need were the object of his tenderest solicitude. No matter how disgusting a person’s manners were, nor how mean and impudent his actions, he loved all with the love of a mother and never neglected any corporal work of mercy that would help for the salvation of souls. He would dress ulcers that were so poisoned and infectious that the Indians—even the nearest relatives of the patient—could not force themselves to dress them. Alone he would undertake the task of swabbing away the pus and dressing the wound every day for two or three months, exercising the greatest care and tenderness, although often he knew well that the wounds were incurable. “But,” he would say, “the more fatal the wounds, the more I am inclined to nurse them in order to bring these poor people to the gates of Heaven and to prevent them from falling into sin at the most dangerous time of their lives.”


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

Don Fernando de las Infantas wrote to the Pope, trying to get him to stop Palestrina from corrupting all the plainsong editions: “The errors which certain musicians, in all good faith, think they have found in plainchant are not errors at all, but on the contrary contain some of the most beautiful musical passages ever written.”

— Don Fernando de las Infantas (1578 A.D.)

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