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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

August 1970 • “Graduale Simplex Doc” (12 pages)

Jeff Ostrowski · January 5, 2026

HOSE HUMAN BEINGS who remain tethered to reality—and by ‘reality’ I mean the Sacramental life, with constant cognizance of one’s eternal destiny—take pains to avoid sensationalism, tabloid journalism, and people whose entire existence is dedicated to amassing “clicks.” I certainly don’t want to be considered a sensationalist lunatic; and precisely for that reason I usually avoid mentioning the GRADUALE SIMPLEX. If one speaks with honesty about that book, one quickly descends into language that makes one come across as hysterical, unrestrained, and melodramatic.

Speaking Candidly • The fact is, the GRADUALE SIMPLEX was a colossal failure. Similar to polyester vestments and church wreckovations, its sad legacy is bound up with everything irresponsible about the 1960s liturgical reforms. Indeed, when Msgr. Hannibal Bugnini sang this book’s praises in his 1983 tome (La riforma liturgica) his unbridled dishonesty makes him come across as a lunatic. The claims made by Bugnini vis-à-vis the GRADUALE SIMPLEX—even its contents—are simply false.

I recently came across a fascinating 12-page document (by Father Herman J. Graf) which describes the GRADUALE SIMPLEX:

*  PDF Download • GRADUALE SIMPLEX—12 pages
—Published in August of 1970 by Father Herman J Graf (Society of the Divine Word).

Our readers will find much in this document utterly engrossing. At the same time, some of the statements are contradictory and—especially with the benefit of hindsight—come across as infected through and through with a Pollyannaish view of “change for the sake of change.”

Pandora’s Box • As far as the radical reformers were concerned, the GRADUALE SIMPLEX had one purpose (and one purpose only). Its promulgation by the CONSILIUM introduced a principle: viz. that the Propria Missae could lawfully be replaced. Once that crevice was opened, it was “game over.” The radical reformers drove an Eighteen-Wheeler through that loophole. It was like Pandora’s box … and the rest was history. Without exaggeration, I can affirm that no change made after Vatican II (with the possible exception of versus populum) did more harm to the authentic renewal of the sacred liturgy than that principle.

The Catholic Church is still reeling from shameful abuse of that ‘principle’ but—as we mentioned in a recent article—the Propria Missae have begun a remarkable and wonderful comeback over the last 20 years, which no one in the 1980s or 1990s could have even hoped for!

Pius XII Psalter • What this author (Father Graf) has to say about the Pius XII Psalter vs. the VULGATA is extremely fascinating information. Apart from this source, I’ve been able find precious little about this subject, although Yves Chiron and Very Rev’d Charles Jerome Callan (noted author, beloved teacher, and founder of the Homiletic and Pastoral Review) also provide valuable insights.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: BEA PSALTER, Graduale Simplex, Pope Pius XII Psalter Last Updated: January 8, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“No one can reasonably find in the dispositions of Vatican II anything out of order, or any extreme opinions or tendencies which restrict the function of sacred music exclusively to the congregational singing of the faithful or on the other hand which replace or eliminate the singing of the congregation entirely by the singing of the choir.”

— Most Rev’d Archbishop D.M.M. y Gómez, Primate of Mexico (at that time, the world’s largest archdiocese)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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