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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Spirit of All Souls’ Day

Fr. David Friel · October 22, 2017

LL SOULS’ DAY lies just around the corner. November 2nd is typically a day filled with Masses—the result of the Church’s longing for the salvation of the departed and her confidence in the merits of the Lord’s sacrifice to obtain that salvation.

It has been the Church’s longstanding practice to permit priests to offer Mass not once, not twice, but even three times on this day. The same permission is granted for only one other observance of the liturgical year: Christmas Day. For a discussion of this permission and whether it constitutes an encouragement, take a look at two posts from a couple of years ago (here and here).

The ethos of All Souls’ Day stands in stark contradistinction to the universalism of our age. When attending a Catholic funeral or a Mass on All Souls’ Day, one does not encounter the spirit of “life celebration.” This idea is, indeed, foreign to the funeral and All Souls’ Day liturgies.

What these liturgies do clearly convey is a spirit of profound grief and mourning, salved by the hope of resurrected life. On the fittingness of this liturgical spirit, Dietrich von Hildebrand writes:

It is a regrettable sophism to say (as it was sometimes said in sermons) that the death of a father or mother, husband or wife, or of a child, is no reason for sadness as long as they have died well, after receiving the last Sacraments, as long as we can hope that they are with God. Of course the eternal happiness of one whom we truly love is the most important thing, but separation from the beloved, even if only for a time, remains a terrible cross.

Whoever does not feel this cross, whoever just happily goes his way with the consolation that the beloved has found eternal happiness, is not directed to eternity in a special way—he is simply insensitive and does not want to be disturbed in the normal rhythm of his daily life. He is simply making a comfortable excuse when he emphasizes that the eternal salvation of the other is the most important thing. He has forgotten that even Jesus Christ, the God-Man, prayed in Gethsemane: “Father, if it be possible, let this cup pass from Me.” He does not understand that a cross which has been imposed on us should be suffered under as a cross. Only then can we attain to the true consolation which lies in the perspective of eternity, to the true hope of eternal blessedness.” [Dietrich von Hildebrand, The Devastated Vineyard (1973), pg. 130]

Again this year, many parishes will offer special commemorations of the faithful departed on or near November 2nd. I would like to draw your attention to just two.

First, the National Shrine of St. John Paul II here in Washington, DC has announced that they will host a Missa Cantata at 7 PM on November 2nd in their main church (3900 Harewood Road NE, Washington, DC). Faure’s Requiem in D minor (Op. 48) will be sung, adhering closely to the original instrumentation for strings, choir, and soloists. Of this Mass, the composer once wrote: “Everything I managed to entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning to end by a very human feeling of faith in eternal rest.”

Second, the Catholic Artists Society will host their 15th annual solemn Requiem Mass on November 13th at 7 PM in the Church of St. Vincent Ferrer (869 Lexington Avenue, NYC). The music for this Mass will be Mozart’s Requiem in D minor (K. 626). This society is the same group that sponsors the Art of the Beautiful lecture series, featured before on these pages.

Requiescant in pace!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: All Souls, Requiem Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text by Oratorian priest, Father Edward Caswall (d. 1878) is often married to AURELIA, as it is in the Brébeuf Hymnal.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“If the right is given to African tribes to include their pagan traditions in the liturgy, I think the same should also be given to the rite of a thousand year-old Christian Church, based on a much older Roman tradition.”

— Professor László Dobszay

Recent Posts

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  • “Simplified” Keyboard Accompaniment (PDF)
  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)

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