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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Spirit of All Souls’ Day

Fr. David Friel · October 22, 2017

LL SOULS’ DAY lies just around the corner. November 2nd is typically a day filled with Masses—the result of the Church’s longing for the salvation of the departed and her confidence in the merits of the Lord’s sacrifice to obtain that salvation.

It has been the Church’s longstanding practice to permit priests to offer Mass not once, not twice, but even three times on this day. The same permission is granted for only one other observance of the liturgical year: Christmas Day. For a discussion of this permission and whether it constitutes an encouragement, take a look at two posts from a couple of years ago (here and here).

The ethos of All Souls’ Day stands in stark contradistinction to the universalism of our age. When attending a Catholic funeral or a Mass on All Souls’ Day, one does not encounter the spirit of “life celebration.” This idea is, indeed, foreign to the funeral and All Souls’ Day liturgies.

What these liturgies do clearly convey is a spirit of profound grief and mourning, salved by the hope of resurrected life. On the fittingness of this liturgical spirit, Dietrich von Hildebrand writes:

It is a regrettable sophism to say (as it was sometimes said in sermons) that the death of a father or mother, husband or wife, or of a child, is no reason for sadness as long as they have died well, after receiving the last Sacraments, as long as we can hope that they are with God. Of course the eternal happiness of one whom we truly love is the most important thing, but separation from the beloved, even if only for a time, remains a terrible cross.

Whoever does not feel this cross, whoever just happily goes his way with the consolation that the beloved has found eternal happiness, is not directed to eternity in a special way—he is simply insensitive and does not want to be disturbed in the normal rhythm of his daily life. He is simply making a comfortable excuse when he emphasizes that the eternal salvation of the other is the most important thing. He has forgotten that even Jesus Christ, the God-Man, prayed in Gethsemane: “Father, if it be possible, let this cup pass from Me.” He does not understand that a cross which has been imposed on us should be suffered under as a cross. Only then can we attain to the true consolation which lies in the perspective of eternity, to the true hope of eternal blessedness.” [Dietrich von Hildebrand, The Devastated Vineyard (1973), pg. 130]

Again this year, many parishes will offer special commemorations of the faithful departed on or near November 2nd. I would like to draw your attention to just two.

First, the National Shrine of St. John Paul II here in Washington, DC has announced that they will host a Missa Cantata at 7 PM on November 2nd in their main church (3900 Harewood Road NE, Washington, DC). Faure’s Requiem in D minor (Op. 48) will be sung, adhering closely to the original instrumentation for strings, choir, and soloists. Of this Mass, the composer once wrote: “Everything I managed to entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning to end by a very human feeling of faith in eternal rest.”

Second, the Catholic Artists Society will host their 15th annual solemn Requiem Mass on November 13th at 7 PM in the Church of St. Vincent Ferrer (869 Lexington Avenue, NYC). The music for this Mass will be Mozart’s Requiem in D minor (K. 626). This society is the same group that sponsors the Art of the Beautiful lecture series, featured before on these pages.

Requiescant in pace!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: All Souls, Requiem Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

But the revisers did not leave them altogether untouched. Saint Ambrose had to be “corrected.” The ‘Iste Confessor’ was greatly altered and the hymn for the Dedication of a Church (which no one ought to have touched) was completely recast in a new meter.

— Father Joseph Connelly

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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