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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archbishop Sheen Played The Organ!

Jeff Ostrowski · November 6, 2017

197 Fulton J Sheen R. LUCAS TAPPAN once asked: “Do you invite young children at church push down a few keys on the organ when you’re finished or do you just close up shop? Do you pull out the trumpet stop and tell him to press down the lowest pedal note and hold it? Do you tell him to try out the swell pedal and watch as the shades open and close?” He was talking about how we can generate interest in organ playing.

I thought of that when I learned 1 (today!) that Archbishop Fulton J. Sheen could play the organ:

At Fritz Kreisler’s suggestion, Sheen had taken organ lessons. His first teacher was famed swing organist Ethel Smith. Fulton acknowledged her prowess on the instrument but said that her instructional ability was weak. He then turned to a young friend, Yolanda Tomaiuoli, who was dating a cousin. She was an accomplished musician who would go on to earn a doctorate in music at Columbia University. Tomaiuoli said later that Fulton “could play some” but that “his musical talents were limited.”

In the late 1950s and early 1960s, Sheen played an electric Hammond on the main floor of his building for personal enjoyment, occasionally displaying his skill to friends. Indeed, the Cahill family, invited to Sheen’s apartment for dinner, recalls dancing in his front room while the bishop played “April in Paris” on his electric organ.

In one of his talks, Archbishop Sheen made reference to “an organ here in my office”—and now, twenty years later, I understand.

Here are two articles about Sheen and Sacred music you might enjoy:

    * *  Archbishop Fulton J. Sheen On Gregorian Chant

    * *  Archbishop Sheen on Liturgy & Plainchant Choirs

The latter contains several interesting quotes, such as:

After the consecration [Sheen’s installation Mass in Rochester], Sheen told Ferris that he wanted a classical repertoire at the cathedral, including Gregorian chant. “This was unusual,” Ferris said later, “for all sorts of freaky things were being done in churches at this time.”



NOTES FROM THIS ARTICLE:

1   Paragraph taken from Thomas C. Reeves, America’s Bishop: The Life and Times of Fulton J. Sheen (New York: Encounter Books, 2002). Sources: Yolanda Holliger interview, 19 April 2000; Vincent Cahill interview; Joan Cunningham interview, 2 April 2000.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“Life need not mean something. Life is something. And what is it? It is: —the present moment (the only one I really have); —my body and soul; —the task at hand; Almighty God, (source of everything) asks just one thing: that I put my body and my soul into this one moment, this one task … that I might do it as God desires it to be done.”

— Based on an article by Robert Keim

Recent Posts

  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)
  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?
  • Music List • (Easter Sunday, 2026)

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