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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Arvo Pärt received the Ratzinger Prize

Andrew Leung · November 23, 2017

CTL Arvo Part Ratzinger Award 1 FEW WEEKS AGO, I had the opportunity to sing in a concert under Peter Philips’ direction. In that program was three pieces by the Estonian composer, Arvo Pärt. I sang his music (Berliner Messe) for the first time when I was a freshmen in college and it was very nice to be able to sing in his unique “Tintinnabuli“, or bell-like, style again after so many years (we did Magnificat, Nunc Dimittis and Tintinnabuli).

Arvo Pärt is one of the winners of this year’s Ratzinger Prize, which is often regarded as the Nobel Prize in the field of theology. The Ratzinger Foundation awards was created in 2011 to recognize the work of academics in theology, whether they are Catholic or not. Before this award, Pärt also received a honorary doctorate in sacred music by the Pontifical Institute of Sacred Music and was nominated by Benedict XVI, member of the Pontifical Council for Culture.

Pärt is an Orthodox and one of the most-recognized composers in the area of sacred music. He is a very spiritual person and has great love for the liturgy, just like Pope Benedict. I shared a video of him earlier this year and it shows that Pärt is very deeply rooted in the faith. He and the other award winners were received by Pope Emeritus Benedict XVI himself on November 17; and the prize was presented to him by Pope Francis at the Apostolic Palace on the following day.

Cardinal Gianfranco Ravasi, president of the Pontifical Council for Culture and a member of the Ratzinger Foundation said this about Arvo Pärt at a press conference:

“He is the greatest living contemporary musician, with an immense and extraordinarily high production, able to combine the great legacy of the past, including Gregorian chant, with today’s new musical grammar. A beautiful choice, that of the commission, aimed at pointing out that new way for theology that is music”


Photo credit: Arvo Pärt Centre

Pärt said in his vote of thanks later that evening:

“I am personally very touched and grateful – especially to you, the members of the Joseph Ratzinger or Pope Benedict XVI Foundation – for this trust and honor. However, it is not an easy task to remain worthy of this honor as a human being. It is a great challenge. We are not dealing here with an ordinary merit that one could use to boast.

Dear brothers, we need your help, please don’t leave us alone now. This is what we plead from you.”

And here is a work by Pärt, Cecilia, Vergine Romana performed at the Concert in honor of the Holy Father in 2011.


Happy belated Feast Day!!! St. Cecilia, pray for us!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Unfortunately there are few organists or singers nowadays whose knowledge of Latin is sufficient to enable them to follow easily the meaning of the liturgical texts.”

— Monsignor Charles E. Spence (18 Dec. 1952)

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