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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Church Musicians are called to be Good Shepherds

Andrew Leung · May 11, 2017

CTL Good Shepherd 1 AST SUNDAY was “Good Shepherd Sunday”, for those of us who attended the Ordinary Form of the Roman Rite. And for those who goes to the Traditional Latin Mass, it was celebrated the Sunday before, the 3rd Sunday after Easter. Obviously, Jesus is calling the bishops and the priests to be good shepherds like Himself in the Gospel of John (10:1-18); but I think he is also calling all church musicians to be good shepherds. We, too, are constantly proclaiming, and even in a sense preaching sometimes, the Word of God as we are serving at the liturgy. We should always do our best to assist the principle shepherds, the priests, in a special way by singing the liturgy.

The first step of being a good shepherd is to know the flock: to be interested in them, their needs, their likes and dislikes, their daily life and their ways of communication. It is very important to first establish a relationship with the people we are serving, and not just any relationship, but good and positive relationships. We can only proceed onto serving the flock when we truly know them and understand their needs.

Then, once we know our sheep, we need to offer them the best and dedicating our whole self to serve them. It is very important that we give them what is “the best”, not just “what they want”. This is especially important when we help plan weddings and funerals. We can’t just play or sing what people want, but only what is appropriate for the liturgy. Our goal is to bring people to Christ, the ultimate good shepherd. Sometimes, I would like to think that we are merely the shepherd dogs of our Lord, who carry out His command and help others to follow Him.

Being good shepherds, we must also be prepared to lay down our lives for the sheep, that is to be willing to make sacrifices for them. Most of us don’t get to enjoy the “holiday seasons” like the rest of the world, we probably will be working overtime at the church. Our evenings are going to be occupied by rehearsals and meetings at the parish. And of course, there often are emotional situations around the parish music program. A good shepherd will accept these sacrifices without complain.

A Franciscan friar, also a famous singer who performs around the world, once said to me: “when you sing (especially the high notes), you must take deep breaths, and then allow the Holy Spirit sing through your mouth as the air flow out. Imagine that the Holy Spirit is the air that you are breathing.” Similarly, we must let the Holy Spirit guide us as we make music to glorify God. We are not just performing, singing and playing music in the name of Christ; but we need to allow Christ to touch the hearts of the people through our music.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“Come now,” they said, “Thou who wouldst destroy the temple and build it up in three days, rescue Thyself; come down from that cross, if Thou art the Son of God.”

— Gospel of St. Matthew 27:42

Recent Posts

  • Typo in the “Missale Romanum” (1962)
  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?
  • Little Encouragement?
  • Children’s Repertoire • Mueller’s Recommendations

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