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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What to Do with the “Fourth Option”

Fr. David Friel · March 19, 2017

N A WEEK’S TIME, we will celebrate Laetare Sunday. It can be difficult to explain the meaning of that term to your average Mass goer, and it is not because of the Latin. It is, rather, because most Catholics have none of the framework necessary to understand the proper of the Mass to which it refers. Thus, one must begin by explaining that there is such a thing as an introit.

This state of affairs is a reflection of the near-total domination that has been achieved by the so-called “fourth option”—the provision in the General Instruction of the Roman Missal that permits “another suitable song” (alius cantus congruus) to replace the propers at will. The eminent professor, László Dobszay, suggested in a 2010 essay that rescinding this permission may be the best path to reclaiming the musical genius of the Roman Rite.

A brief article I wrote on this subject was published in this month’s issue of Adoremus Bulletin. It is freely available, along with many other excellent articles and resources, on the group’s website. Adoremus remains one of the foremost organizations working for the renewal of the sacred liturgy. If you are not already familiar with their work, do yourself a favor, and explore the riches available on their website.

    * *  A Call to Action: Take Up Thy Cross in Proper Style!

Great strides have been made over the last decade in promoting more propers-based liturgies, but much work remains to be done if we are to regain a widespread appreciation for the structure of the Roman Rite, with its brilliant balance of proper and ordinary elements.

As a bonus, since this is the feast of St. Joseph, I am also including links to a “triduum” of reflections in his honor that I posted five years ago. Ite ad Joseph!

St. Joseph Triduum I • Joseph of the Old Testament

St. Joseph Triduum II • Joseph of Arimathea

St. Joseph Triduum III • Joseph of Nazareth

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Adoremus Bulletin, Graduale Romanum Roman Gradual Propers, Hymns Replacing Propers, Mass Propers Proprium Missae, Propers, Reform of the Reform, Singing the Mass Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“The argument moves from the existence of the thing to the correctness of the thing: what is, ought to be. Or, a popular variant: if a thing is, it doesn’t make any difference whether it ought to be—the correct response is to adjust, to learn to live with the thing.”

— ‘L. Brent Bozell, Jr.’

Recent Posts

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  • PDF • “Music List” (Xmas Midnight Mass)
  • What does this mean? “Pre-Urbanite”
  • “He never had a single day of conflict with anyone.”

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