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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Summer Sacred Music Workshop 2017

Andrew Leung · June 29, 2017

CTL Summer Sacred Music Workshop 2017 ET EXCITED!!! The third annual Southeastern Summer Sacred Music Workshop is coming up! This year, the 2-day workshop will make its return to the Atlanta area. This is a great opportunity for singers, organists and clergy from the Southeastern United States to experience the traditional music of the Catholic Church.

The Workshop 2017 will be hosted by St. Brigid Catholic Church in beautiful Johns Creek, Georgia, on Friday, July 21, and Saturday, July 22. Johns Creek is a northeastern suburb of Atlanta and it ranked third on the USA TODAY list of “50 best cities to live in”. St. Brigid Parish is the spiritual home of more than 4,000 families and it is also the home of the 37-rank Casavant Frères Opus 3832 organ.

The Southeastern Sacred Music is a chapter of the Church Music Association of America. It serves as a platform for church musicians in the Southeastern region to share resources, thoughts and ideas, and to make connections with each other. The group has also been organizing annual workshops since 2015. Bridget Scott, a founding member of Southeastern Sacred Music, says that she is very excited for the upcoming workshop: “We have folks coming back year after year. I was excited to see names on the registry that also attended the very first workshop.”

As usual, there will be chant groups and polyphony ensembles, in different levels, which the participants may choose to join. There will also be breakout courses on a variety of topics of interest. One of the very special courses this year is the session on Spanish chant offered by Janet Gorbitz. Another interesting session is a presentation on organ improvisation on chant melodies given by Dr. Albert Ahlstrom, who is joining the faculty for the first time. Organists will also have the opportunity to have private lesson with Dr. Ahlstrom, and singers may study with Maria McDaniel Willathgamuwa.

The registration is now opened through July 7. There is a $75 tuition fee which covers the costs of all the materials, dinner on Friday and the luncheon on Saturday. There is a $25 late fee for registrations after July 7. Visit Southeastern Sacred Music’s website to register and for more details and full bios of the faculty members.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

The “jolly good guy” kind of pastor can be an irritant. […] Ministers of the Gospel are not used car salesmen whose heartiness is a mile wide and an inch deep. A bemused layman told me that a bishop joked with him, but turned away like a startled deer when asked an important question…

— Fr. George Rutler (7 August 2017)

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