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Views from the Choir Loft

Summer Sacred Music Workshop 2017

Andrew Leung · June 29, 2017

CTL Summer Sacred Music Workshop 2017 ET EXCITED!!! The third annual Southeastern Summer Sacred Music Workshop is coming up! This year, the 2-day workshop will make its return to the Atlanta area. This is a great opportunity for singers, organists and clergy from the Southeastern United States to experience the traditional music of the Catholic Church.

The Workshop 2017 will be hosted by St. Brigid Catholic Church in beautiful Johns Creek, Georgia, on Friday, July 21, and Saturday, July 22. Johns Creek is a northeastern suburb of Atlanta and it ranked third on the USA TODAY list of “50 best cities to live in”. St. Brigid Parish is the spiritual home of more than 4,000 families and it is also the home of the 37-rank Casavant Frères Opus 3832 organ.

The Southeastern Sacred Music is a chapter of the Church Music Association of America. It serves as a platform for church musicians in the Southeastern region to share resources, thoughts and ideas, and to make connections with each other. The group has also been organizing annual workshops since 2015. Bridget Scott, a founding member of Southeastern Sacred Music, says that she is very excited for the upcoming workshop: “We have folks coming back year after year. I was excited to see names on the registry that also attended the very first workshop.”

As usual, there will be chant groups and polyphony ensembles, in different levels, which the participants may choose to join. There will also be breakout courses on a variety of topics of interest. One of the very special courses this year is the session on Spanish chant offered by Janet Gorbitz. Another interesting session is a presentation on organ improvisation on chant melodies given by Dr. Albert Ahlstrom, who is joining the faculty for the first time. Organists will also have the opportunity to have private lesson with Dr. Ahlstrom, and singers may study with Maria McDaniel Willathgamuwa.

The registration is now opened through July 7. There is a $75 tuition fee which covers the costs of all the materials, dinner on Friday and the luncheon on Saturday. There is a $25 late fee for registrations after July 7. Visit Southeastern Sacred Music’s website to register and for more details and full bios of the faculty members.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created this music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Like all other liturgical functions, like offices and ranks in the Church, indeed like everything else in the world, the religious service that we call the Mass existed long before it had a special technical name.

— Rev. Adrian Fortescue (1912)

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