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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Best Mystery Movie Of All Time!

Jeff Ostrowski · January 5, 2017

|{Scroll down, and you’ll see my article does relate to the topic of sacred music.}

F YOU HAVEN’T seen “The White Knight Stratagem,” please promise me you’ll carve out an hour from your schedule, wait until it’s raining outside, and watch it attentively in front of your fireplace. For the rest of your life, you’ll thank me; this is an incredible mystery movie. The plot and actors are phenomenal, and there’s very little objectionable. 1 Those of us who have been involved with filmography will rejoice in the careful angles, which assist in telling the tale. The movie (fictional) is about Sir Arthur Conan Doyle, who (in real life) wrote Sherlock Holmes. Some may not realize Doyle (in real life) used his “investigative method” to prove the innocence of men imprisoned for crimes they didn’t commit.

HOW DOES THIS MOVIE relate to sacred music? Let me explain. I’ve noticed something about “progressive” liturgists: they are embarrassed about their musical choices. On the contrary, promoters of authentic sacred music are always bubbling over with joy. They can’t stop singing the praises (pardon the pun!) of church compositions by true masters. I believe “progressive” liturgists realize deep down—in spite of what they say publicly—they’re promoting extremely poor quality music. They realize serious Catholics looking for authentic liturgical music will never come to them. 2

Years ago, my family eliminated cable TV, because 99% of television is garbage. But every so often, we stumble upon true excellence—and “The White Knight Stratagem” is an example.

The producers of “White Stratagem” may have been tempted to throw up their hands, in the face of such unspeakable garbage shown on television; I’m glad they didn’t.

We also might be tempted to give up, when we see how many parishes have replaced authentic sacred music with horrific “lowest common denominator” music. We must not.



NOTES FROM THIS ARTICLE:

1   Somebody does get shot, but they don’t show anything too disturbing. The Lord’s Name is misused a few times, but Catholics can tolerate this as we do when watching A Man For All Seasons, which is also a truly remarkable film.

2   Those of us who went to conservatories will never forget the derision poured on the Catholic church by secular professors, who exclaimed: “You Catholics had the absolute greatest music, and look what you traded it for!” Indeed, many musicians desiring to employ Roman Catholic music now work for Protestant churches in order to do so—which is very sad.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 12, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“We wish to express the hope that students of Gregorian Chant come back to the pure Vatican Edition, in the ancient block-note form, without the addition of any signs whatever, in order to achieve Gregorian unity.”

— Josef Gogniat (12 March 1938)

Recent Posts

  • Music List • (2nd Sunday of Lent)
  • PDF Download • “Funerals in the Ordinary Form”
  • Extreme Unction
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  • Which Mass?

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