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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Best Mystery Movie Of All Time!

Jeff Ostrowski · January 5, 2017

|{Scroll down, and you’ll see my article does relate to the topic of sacred music.}

F YOU HAVEN’T seen “The White Knight Stratagem,” please promise me you’ll carve out an hour from your schedule, wait until it’s raining outside, and watch it attentively in front of your fireplace. For the rest of your life, you’ll thank me; this is an incredible mystery movie. The plot and actors are phenomenal, and there’s very little objectionable. 1 Those of us who have been involved with filmography will rejoice in the careful angles, which assist in telling the tale. The movie (fictional) is about Sir Arthur Conan Doyle, who (in real life) wrote Sherlock Holmes. Some may not realize Doyle (in real life) used his “investigative method” to prove the innocence of men imprisoned for crimes they didn’t commit.

HOW DOES THIS MOVIE relate to sacred music? Let me explain. I’ve noticed something about “progressive” liturgists: they are embarrassed about their musical choices. On the contrary, promoters of authentic sacred music are always bubbling over with joy. They can’t stop singing the praises (pardon the pun!) of church compositions by true masters. I believe “progressive” liturgists realize deep down—in spite of what they say publicly—they’re promoting extremely poor quality music. They realize serious Catholics looking for authentic liturgical music will never come to them. 2

Years ago, my family eliminated cable TV, because 99% of television is garbage. But every so often, we stumble upon true excellence—and “The White Knight Stratagem” is an example.

The producers of “White Stratagem” may have been tempted to throw up their hands, in the face of such unspeakable garbage shown on television; I’m glad they didn’t.

We also might be tempted to give up, when we see how many parishes have replaced authentic sacred music with horrific “lowest common denominator” music. We must not.



NOTES FROM THIS ARTICLE:

1   Somebody does get shot, but they don’t show anything too disturbing. The Lord’s Name is misused a few times, but Catholics can tolerate this as we do when watching A Man For All Seasons, which is also a truly remarkable film.

2   Those of us who went to conservatories will never forget the derision poured on the Catholic church by secular professors, who exclaimed: “You Catholics had the absolute greatest music, and look what you traded it for!” Indeed, many musicians desiring to employ Roman Catholic music now work for Protestant churches in order to do so—which is very sad.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 12, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“The unity of language in the liturgy is so great a treasure for the Church that no advantage could compensate for its demise.”

— Dom Anselmo Albareda (2 January 1953), Father Nicola Giampietro, page 249

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