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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

In Defense of the Organ Postlude

Fr. David Friel · January 30, 2017

HE SECOND issue of the new magazine, Altare Dei, from Choralife has just been published. Subtitled “A Magazine on Liturgy and Sacred Music,” this publication will be of interest to many of our readers here at CCW.

The lead story in this latest issue is a well-argued piece by Dr. Peter Kwasniewski (known to our readers as a past contributor): “In Defense of the Organ Postlude.” Against those who are disturbed by this practice, which has been common since the late Renaissance, Kwasniewski makes a case that the organ postlude should not be viewed as a distraction to the act of thanksgiving. It should be appreciated, rather, for its ability to create “a sonic image of angelic choirs, a wordless transcendent proclamation of God’s glory.” Thus, the author’s fundamental claim is that the organ postlude has the spiritual benefit of immersing its hearers in the glory of God. Want to read more? Click here to download.

Included with this issue of Altare Dei is a hefty insert with seven pieces of sheet music. Among the compositions included are an Ave Maria, an Easter Alleluia, and an organ interlude from composers such as Colin Mawby, Mauro Visconti, and Valentinus Miserachs.

A new article of mine appears in this installment. Entitled, “The Earliest Catholic Choir School,” my article explores the roots of the choir school tradition in the Roman schola of the seventh century. Fascinating pieces on a variety of liturgical and musical subjects have also been contributed by David Fagerberg (theology professor, University of Notre Dame), Rev. Thomas Kocik (priest of the Diocese of Fall River, MA), Rev. Enrico Finotti (Italian liturgist), Fulvio Rampi (Gregorian chant scholar), and others.

Altare Dei is the handiwork of Maestro Aurelio Porfiri (another past contributor to these pages). Porfiri’s experience as a choir master, conductor, organist, and music theorist has prepared him well to serve as editor of this new publication.

The magazine is distributed strictly in digital format, on a bi-monthly basis. The first issue is still available for download.

Download the latest edition here for only €6.00, and see the excellent content for yourself!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Uncategorized Tagged With: Altare Dei Magazine, Father Enrico Zoffoli, Pipe Organ, Sacred Choral Works Kwasniewski, Sheet Music Last Updated: November 13, 2019

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“We must acknowledge that We have been somewhat disturbed and saddened by these requests. One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past.” [Paul VI responding to requests from monks asking permission to remove Latin from the Divine Office.]

— Pope Saint Paul VI (15 August 1966)

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  • “Adeste Fideles” • Too Many Translations!

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