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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Major Problems with “Holy Family” Feast

Jeff Ostrowski · January 3, 2017

OU PROBABLY THINK I’m going to complain that the Feast of the Holy Family has been moved around too much. After all, it was created in 1893 by the very Pope who composed the breviary hymns for it. First it was placed on the Third Sunday after Epiphany. In 1914 it was moved to January 19th. Later on it was moved to the Sunday within the Octave of the Epiphany. After Vatican II, it was moved yet again. You can see how confusing things were by looking at this page from a 1957 Solesmes book. (The Feast of the Holy Name has also been moved a whole bunch of times.)

But that’s not my problem.

The psalm verse for the Introit—specifically “in átria Dómini”—breaks the formula:

    * *  PDF Download • INTROIT for the Holy Family

Here’s the formula:

500 Holy Family Introit


I wanted to see if this was a 1960s typo, but it’s not. You can see Abbot Pothier did the same thing in 1908:

502 Pothier


Dom Mocquereau, in his 1903 Liber Usualis, does it correctly. That is to say, he treats this solemn cadence as cursive rather than accentual:

501 Mocquereau 1903 Liber Usualis


In Pothier’s 1896 Liber Usualis, he does the same as the Vatican Edition:

499 Pothier 1896 LIBER USUALIS


CONCLUSION : Abbot Pothier must have been extremely bothered by a cursive treatment of “átria.” Sometimes, ancient manuscripts did bend the rules for the tonic accent—but that was not the norm. (Solemn Mode VI is especially confusing in this regard.) Bruce Ford has written:

“Some have criticized Pothier’s treatment of the final cadence of the eighth introit psalm tone. It is cursive, but Pothier sometimes treated it as if it were a cadence of one accent with three preparatory syllables.”

To make matters worse, Rome has sometimes muddled things.


P.S.

Many don’t realize that all the EF chants for the Holy Family can be used for the Ordinary Form. Cf. section 397 of the Ordo Cantus Missæ.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Feast of the Holy Family Last Updated: January 19, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The liturgy needed reform by 1965; there was no call for dismantling it. It was intended that the vernacular would enhance the Latin, not supplant it. It was not, emphatically, the mind of the Council Fathers to jettison Gregorian Chant, or to encourage the banal secularization of Church music, so as now to surpass in crudity the worst aberrations of the Howling Pentecostals.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (9 July 1971)

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