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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Singing for Cardinal Burke’s Pontifical Low Mass

Dr. Lucas Tappan · February 14, 2017

LMT Cardinal Burke Smiling AST THURSDAY, the Feast of St. Cyril of Alexandria, the Most Pure Heart of Mary Schola Cantorum was blessed to sing for a Pontifical Low Mass celebrated by H.E. Raymond Cardinal Burke at the Church of St. Anthony-St. Mary in Kansas City, KS. This was the first time the choir sang for Holy Mass celebrated according to the Ancient Latin Rite, and to be honest, I was a bit nervous about what all the children would think. In the end, the choristers gave the Lord some of the best singing they have ever produced and the Mass prompted one of the choristers to ask last Sunday if they could use the Communion Rail in our own parish from now on to receive Holy Communion (I took a poll and all the choristers save one wanted to continue the practice). We shall see what the future brings in that regard.

For my own part, I have sung for and lead numerous choirs singing sung Masses in the Extraordinary Form, but never Low Masses (this Mass being the first). The Schola Cantorum sang Tallis’ If Ye Love Me before Mass, Grieg’s Ave Maris Stella during the Offertory, the traditional chant Adorote devote, Messiaen’s O sacrum convivium and Mawby’s Ave verum corpus during Holy Communion and Holy God, We Praise Thy Name for the Recessional, immediately followed by Scarlatti’s Exultate Deo. My assistant, Mr. John Deahl, provided beautiful organ improvisations. While the choir sang everything very well, I have to admit that I missed singing the Ordinary and Propers of the Mass. It made me realize how much more I prefer singing the Mass instead of singing at the Mass, whether or not the Ordinary or Extraordinary Form. Nevertheless, I told Cardinal Burke that is was a blessing for us to sing for the Mass and assured him of our prayers. He graciously joined us for a picture, which I would like to share with everyone here.

363 BURKE

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“In the 17th century came the crushing blow which destroyed the beauty of all Breviary hymns. Pope Urban VIII (d. 1644) was a Humanist. In a fatal moment he saw that the hymns do not all conform to the rules of classical prosody.”

— Fr. Adrian Fortescue (d. 1923)

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  • PDF Download • “Funeral Procession”
  • Re: The “Correct” Way To Sing Gregorian Chant
  • PDF Download • Ascension “Entrance Chant”

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