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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Cardinal Sarah to celebrate TLM on 21 May 2018

Jeff Ostrowski · December 22, 2017

OBERT CARDINAL SARAH was appointed by Pope Francis as Prefect for the Vatican’s CONGREGATION FOR DIVINE WORSHIP on 23 November 2014. According to a press release (18 December 2017) by the Remnant Newspaper, Cardinal Sarah will celebrate the Traditional Mass on 21 May 2018:

They claim this will be an Extraordinary Form Pontifical Mass:

90939 REMNANT


Their headline says “Cardinal Sarah to Celebrate TLM.” And they placed the same wording on their poster (above).

Here’s the full statement posted on the official website of the Remnant:

Cardinal Sarah to Celebrate TLM, Chartres Pilgrimage 2018

Notre-Dame de Chretiente (NDC)—the organization responsible for what the late, great Michael Davies described as the ‘most important annual event in Christendom’—the Chartres Pilgrimage from Paris to Chartres, France—has announced that Robert Cardinal Sarah will offer the Pontifical High Mass in the Cathedral of Notre Dame de Chartres at the next pilgrimage to Chartres, May 21, 2018.

A NDC statement announcing this most welcome development, reads: “We sincerely thank Cardinal Sarah, Prefect of the Congregation for Divine Worship and the Discipline of the Sacraments, for having accepted to come and join us on pilgrimage. We are happy to organize this event, which will be an important landmark in the history of our pilgrimage.”

The Remnant Tours—which has partnered with Notre Dame de Chretiente in organizing the U.S. contingent on the Pilgrimage to Chartres for the past 27 years—is delighted with this news and shares in NDC’s joy that such a high-ranking curial cardinal will show such high-profile support for the Traditional Latin Mass movement, not just in France, but throughout the whole world by taking on such a key role in the next Chartres Pilgrimage.

The Remnant Tours is currently accepting registrations for this event, which will be the heart of our pilgrimage package (to also include Tours, the Loire Valley, the site of the Holy Face apparition Lisbon and Fatima).

I hope this is not a hoax—but friends of mine have confirmed that it will indeed happen. If so, I say: DEO GRATIAS!

From a “church politics” point of view, this might not be the smartest move—but Cardinal Sarah is someone who often goes without food and water for three days straight, and doesn’t seem overly concerned about political maneuvering.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski
    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

A hymn verse need not be a complete sentence, but it must have completed sense as a recognisable part of the complete sentence, and at each major pause there would be at least a “sense-pause.” Saint Ambrose and the early writers and centonists always kept to this rule. This indicates one of the differences between a poem and a hymn, and by this standard most of the modern hymns and the revisions of old hymns in the Breviary stand condemned.

— Fr. Joseph Connelly

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  • “Reminder” — Month of April (2026)
  • “Gregorian Chant Isn’t a Platform for Your Personal Theories, Jeff” • (A Letter We Received)

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