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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Report • Summer Sacred Music Workshop 2017

Andrew Leung · August 25, 2017

MEANT TO SHARE THIS a few weeks ago, but I have been very busy until now. The Summer Sacred Music Workshop III, organized by the Southeastern Sacred Music, was held on July 21 and 22 at St. Brigid Parish in Johns Creek, Georgia. This year, about 65 musicians participated in the 2-days workshop. The attendees were instructed on singing Gregorian chant and sacred polyphonies. There were breakout sessions on various topics like: “What’s a proper?”, “Spanish Chant resources”, “Transition from piano to organ” and “Strategies for implementing sacred music in your parish”. These topics are very practical for the church musicians in the southeastern region, which is heavily influenced by the protestant culture and have a large Hispanic population. Participants also had the opportunities to take private organ and voice lessons with some of the faculty members.

    * *  Mp3 • Live Recording of Alleluia Eripe me

The annual workshop concluded with a Mass in the Ordinary Form of the Roman Rite. Above is a recording of the Alleluia sung by the women’s schola under the direction of Bridget Scott. The rest of the Propers and Ordinaries were also chanted, some in English and some in Latin, and the choir also sang choral works by Senfl and Schubert. And here are some pictures:

CTL Georgia Workshop 6 CTL Georgia Workshop 5 CTL Georgia Workshop 4 CTL Georgia Workshop 3 CTL Georgia Workshop 2 CTL Georgia Workshop 1

CTL Workshop 2018 ET EXCITED! The Summer Sacred Music Workshop is coming to North Carolina next summer! The fourth annual workshop of Southeastern Sacred Music will be held on Friday, July 27th and Saturday, July 28th, and will be hosted by the Cathedral of St. Patrick in Charlotte, North Carolina. With the blessing of Bishop Peter J. Jugis and the support of Rector and Pastor, Fr. Christopher Roux, the Cathedral Director of Music, Dr. Gianfranco DeLuca, has graciously stepped forward to act as host for this annual event. Stay tuned!

Since the first workshop, hundreds of musicians have been benefited from this event. The early stage of planning for next year’s workshop has already begun. Please start praying for the planning team and for another great success.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Now we are aware of the fact that during recent years some artists, gravely offending against Christian piety, have dared to bring into churches works devoid of any religious inspiration and completely at variance with the right rules of art.”

— Ven. Pope Pius XII (25 December 1955)

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